Andrew MacKay

Johnny Smith discovers he has developed psychic abilities after a coma.

Three incoming freshman in a big-time, Midwestern college football program have to juggle football, girls, class and nonstop hazing.

When three generations of women reunite after being estranged for more than two decades, they embark on an enlightening – and surprising – journey toward healing none of them could have imagined as they learn how to find their way back to each other.

ChuckleVision is a long-standing British children's series broadcast from 1987 to 2009. The Chuckle Brothers' famous comedy involves slapstick, other visual gags, wordplay, and catchphrases such as "To me, to you!" and "Oh dear, oh dear!"

The Pub Landlord’s rules are a pint for the fella and a glass of white wine or fruit based drink for the lady. It might be the 21st century but the landlord’s gaff is the last bastion of all things normal. He ain’t interested in change. It’s just the way things are, and don’t you or anybody else go questioning it.

Bookish and unpopular Mandy finds her luck finally changing when Drew, the school hottie, invites her to the year's biggest party. But with being grounded and Drew's ex-girlfriend bent on thwarting her, Mandy may be destined to remain a geek. Can a little ingenuity and some help from her friends save the day?

Johnny Smith discovers he has developed psychic abilities after a coma.

Three incoming freshman in a big-time, Midwestern college football program have to juggle football, girls, class and nonstop hazing.

When three generations of women reunite after being estranged for more than two decades, they embark on an enlightening – and surprising – journey toward healing none of them could have imagined as they learn how to find their way back to each other.

ChuckleVision is a long-standing British children's series broadcast from 1987 to 2009. The Chuckle Brothers' famous comedy involves slapstick, other visual gags, wordplay, and catchphrases such as "To me, to you!" and "Oh dear, oh dear!"

The Pub Landlord’s rules are a pint for the fella and a glass of white wine or fruit based drink for the lady. It might be the 21st century but the landlord’s gaff is the last bastion of all things normal. He ain’t interested in change. It’s just the way things are, and don’t you or anybody else go questioning it.

Fist of Fun was a British comedy television and radio programme, written by and starring Lee and Herring. A lot of the show's comic material was adapted from Lee and Herring's radio programme Lionel Nimrod's Inexplicable World. Each episode of Fist of Fun featured several disparate sketches and situations. Fist of Fun began as a BBC Radio 1 series in 1993, before becoming commissioned as a television series on BBC Two in early 1995. It was broadcast at 9pm on Tuesday nights, and was successful, but not a major ratings-winner. The second series was aired on Friday nights, and although its ratings were relatively good, the show suffered from a lack of preparation and poor promotion. The show was not given a third series, and Lee and Herring went on to write This Morning with Richard Not Judy, for BBC Two. Many other comedians who appeared in the series went on to fame themselves, including Kevin Eldon, Peter Baynham, Ronni Ancona, Alistair McGowan, Al Murray, John Thomson, Rebecca Front, Mel Giedroyc, Sue Perkins, Ben Moor and Sally Phillips.

This Morning With Richard Not Judy or TMWRNJ is a BBC comedy television programme, written by and starring Lee and Herring. Two series were broadcast in 1998 and 1999 on BBC2. The name was a satirical reference to ITV's This Morning which was at the time popularly referred to as This Morning with Richard and Judy. The show was a reworking of old material from their previous work together along with new characters. The show was hosted in a daytime chat show format in front of a live studio audience, although it featured a small proportion of pre-recorded location inserts. It was structured by the often strange obsessions of Richard Herring; examples include his rating of the milk of all creatures and attempting to popularise the acronym of the show. The show featured repetition, with regular and vigilant viewers being rewarded by jokes that would make no sense to casual viewers. The show seemed to oscillate between the intellectual and puerile. However, irony was often used, even though the citing of irony as an excuse was mocked by the show's stars in one of many self-referential jokes.