Andrea Cristini

Three ghosts, representing three different generations, keep a portrait of themselves as the unique sign left of their own identity after death. Two of the ghosts have an analog portrait (a black and white photography and a painting), while the third one has a digital portrait contained within a computer. Soon they will experience the obsolescence of technology, which will challenge the preservation of memories and data through time.

"Framing the Self" is a multimedia platform for developing an aporetic dialogue between the two basic figures of a movie: the director and his character. They engage in a real conversation between the cinematic language and the animation, questioning the essence of individuality through a non-linear narration. The rules of language slowly lose their validity, being substituted by the principle of doubt. The character will see her individuality breaking apart, progressively exploding into an infinite multiplicity.

Three ghosts, representing three different generations, keep a portrait of themselves as the unique sign left of their own identity after death. Two of the ghosts have an analog portrait (a black and white photography and a painting), while the third one has a digital portrait contained within a computer. Soon they will experience the obsolescence of technology, which will challenge the preservation of memories and data through time.

Three ghosts, representing three different generations, keep a portrait of themselves as the unique sign left of their own identity after death. Two of the ghosts have an analog portrait (a black and white photography and a painting), while the third one has a digital portrait contained within a computer. Soon they will experience the obsolescence of technology, which will challenge the preservation of memories and data through time.

"Framing the Self" is a multimedia platform for developing an aporetic dialogue between the two basic figures of a movie: the director and his character. They engage in a real conversation between the cinematic language and the animation, questioning the essence of individuality through a non-linear narration. The rules of language slowly lose their validity, being substituted by the principle of doubt. The character will see her individuality breaking apart, progressively exploding into an infinite multiplicity.

"Framing the Self" is a multimedia platform for developing an aporetic dialogue between the two basic figures of a movie: the director and his character. They engage in a real conversation between the cinematic language and the animation, questioning the essence of individuality through a non-linear narration. The rules of language slowly lose their validity, being substituted by the principle of doubt. The character will see her individuality breaking apart, progressively exploding into an infinite multiplicity.