Yusuf Ölmez

Cansu and Oguz, a couple in their mid-twenties, deeply love each other for many years. Oguz is a strong person who always supports and motivates his partner whereas Cansu’s love is inspiring for everyone around but she is always afraid about becoming distanced from Oguz. However, this fear unexpectedly turns into different feelings when her concerns become real in the most extreme way.

A collection of stories from five women across different regions, generations, and beliefs in Türkiye. A four-generation family harvesting nuts in the Black Sea region; Aslı running a historic coffee business in Istanbul; Hira giving birth in the Aegean Sea; Hatice, an Alevi/Kurdish woman on the eastern high plains; and Arya fighting for transgender rights in Ankara. Stories of freedom, desire, and dreams shaped by the landscapes they inhabit.

What is the role of an ethnographic filmmaker as an outsider and student of a culture? Is it about representing, demonstrating, and reflecting or exposing, participating, and transposing? Although these are not binary terms of the historic discussions in anthropology, they share a lot to be experimented through shared cine-anthropology and sensory multimodal ethnography.

Rifat is in the preparation process of a movie about strangers chatting at bus stops, together with his long-time friend and producer, Serhat. as Rifat gets more lonely and isolated, he reluctantly asks his brother in law for financial help. Rifat, who starts to face people around him even more closely as he does not get the reactions he expected during this process, gets lost in a vicious cycle in which he keeps changing the scenario for his film.

Murat is a dedicated construction worker building a gargantuan wall for a boss whom none of the workers has ever seen. After the departure of his colleague, Ali, and his relocation on the other side of the wall imposed by Yavuz, the boss' right-hand, Murat sinks into a whirlwind of tension that leads him to struggle to meet the man he works for.

1930s Anatolia. As an architect struggles to build the first crematorium, she gets entangled in the hunt for a serial killer and a dark web of political blackmail.

Cansu and Oguz, a couple in their mid-twenties, deeply love each other for many years. Oguz is a strong person who always supports and motivates his partner whereas Cansu’s love is inspiring for everyone around but she is always afraid about becoming distanced from Oguz. However, this fear unexpectedly turns into different feelings when her concerns become real in the most extreme way.

Cansu and Oguz, a couple in their mid-twenties, deeply love each other for many years. Oguz is a strong person who always supports and motivates his partner whereas Cansu’s love is inspiring for everyone around but she is always afraid about becoming distanced from Oguz. However, this fear unexpectedly turns into different feelings when her concerns become real in the most extreme way.

A collection of stories from five women across different regions, generations, and beliefs in Türkiye. A four-generation family harvesting nuts in the Black Sea region; Aslı running a historic coffee business in Istanbul; Hira giving birth in the Aegean Sea; Hatice, an Alevi/Kurdish woman on the eastern high plains; and Arya fighting for transgender rights in Ankara. Stories of freedom, desire, and dreams shaped by the landscapes they inhabit.

What is the role of an ethnographic filmmaker as an outsider and student of a culture? Is it about representing, demonstrating, and reflecting or exposing, participating, and transposing? Although these are not binary terms of the historic discussions in anthropology, they share a lot to be experimented through shared cine-anthropology and sensory multimodal ethnography.

Rifat is in the preparation process of a movie about strangers chatting at bus stops, together with his long-time friend and producer, Serhat. as Rifat gets more lonely and isolated, he reluctantly asks his brother in law for financial help. Rifat, who starts to face people around him even more closely as he does not get the reactions he expected during this process, gets lost in a vicious cycle in which he keeps changing the scenario for his film.

Murat is a dedicated construction worker building a gargantuan wall for a boss whom none of the workers has ever seen. After the departure of his colleague, Ali, and his relocation on the other side of the wall imposed by Yavuz, the boss' right-hand, Murat sinks into a whirlwind of tension that leads him to struggle to meet the man he works for.

Murat is a dedicated construction worker building a gargantuan wall for a boss whom none of the workers has ever seen. After the departure of his colleague, Ali, and his relocation on the other side of the wall imposed by Yavuz, the boss' right-hand, Murat sinks into a whirlwind of tension that leads him to struggle to meet the man he works for.

1930s Anatolia. As an architect struggles to build the first crematorium, she gets entangled in the hunt for a serial killer and a dark web of political blackmail.

A young woman’s husband is mysteriously taken away from her at dawn. She tries to mourn by remembering him through objects and imitation but this leads to a destructive discovery of her desires towards the mysterious entities that took her husband away. She finds herself in a realistic limbo of unexpected desires.

A young woman’s husband is mysteriously taken away from her at dawn. She tries to mourn by remembering him through objects and imitation but this leads to a destructive discovery of her desires towards the mysterious entities that took her husband away. She finds herself in a realistic limbo of unexpected desires.

A young woman’s husband is mysteriously taken away from her at dawn. She tries to mourn by remembering him through objects and imitation but this leads to a destructive discovery of her desires towards the mysterious entities that took her husband away. She finds herself in a realistic limbo of unexpected desires.

When a dysfunctional family’s car breaks down in the middle of nowhere, their repressed grievances with each other bubble to the surface.