Cody Edison

Music provided relief during the years of the Japanese American internment throughout WWII. Mary Nomura performed in Manzanar for the three years of her incarceration, and she became known as the "Songbird of Manzanar." In this film, Mary shares old field recordings of her musical performances in Manzanar, believed to be the only surviving field recordings of music from Japanese American internment. In the conclusion of the film, Mary honors her nickname and sings one of her favorite jazz standards by George Gershwin.

And Those Who Dance it Surrender Their Hearts to Each Other is a portrait of Lone Piñon, a Northern New Mexican string band celebrating their region’s cultural roots. With fiddles, upright bass, accordions, vihuela, mandolin, guitars, jarana huasteca, and vocals in Spanish, English, Nahuatl and P’urepecha, they play a wide spectrum of the traditional music that is at home in New Mexico. The musicians have learned from elder musicians (such as Antonia Apodaca) who instilled in them a respect for continuity of the community based social and dance music. Noah Martinez, Jordan Wax, Leticia Gonzales and Greg Glassman have brought the language of New Mexico traditional music and related regional traditions back onto the modern stage, back onto dance floors, and back into the ears of a young generation.

Music provided relief during the years of the Japanese American internment throughout WWII. Mary Nomura performed in Manzanar for the three years of her incarceration, and she became known as the "Songbird of Manzanar." In this film, Mary shares old field recordings of her musical performances in Manzanar, believed to be the only surviving field recordings of music from Japanese American internment. In the conclusion of the film, Mary honors her nickname and sings one of her favorite jazz standards by George Gershwin.

And Those Who Dance it Surrender Their Hearts to Each Other is a portrait of Lone Piñon, a Northern New Mexican string band celebrating their region’s cultural roots. With fiddles, upright bass, accordions, vihuela, mandolin, guitars, jarana huasteca, and vocals in Spanish, English, Nahuatl and P’urepecha, they play a wide spectrum of the traditional music that is at home in New Mexico. The musicians have learned from elder musicians (such as Antonia Apodaca) who instilled in them a respect for continuity of the community based social and dance music. Noah Martinez, Jordan Wax, Leticia Gonzales and Greg Glassman have brought the language of New Mexico traditional music and related regional traditions back onto the modern stage, back onto dance floors, and back into the ears of a young generation.