Akira Miyazaki

Moomintroll, Sniff and Little My set out to stop a comet approaching the Moominvalley. Along the way they meet Snufkin, the beautiful Snorkmaiden, Snork and Hemulen, who join them in their quest.

An animated version of the classic story of a young farm-girl who is transported to the magical land of Oz.

Torajiro becomes homesick during his travels after watching a television report about his hometown and meeting a young woman that reminds him of his sister Sakura. Meanwhile, a new tenant moves into Toraya restaurant.

Ginga is a simple—yet energetic—country girl, living with her father far from the capital city of the empire in ancient China. When she learns of an opportunity to become a concubine of the young new Emperor, with the possibility of becoming his head wife in charge of all of the other wives, Ginga convinces her father to let her go. Once there, she meets all of the other potential head wives, each of whom have various reasons for being there. All of them must learn to read and write, learn the history of their country, and learn the proper mannerisms for being in the royal court. Ginga's enthusiasm tends to get her in trouble more often than not, but it works to her advantage when they learn that the former emperor's head wife, who is not the mother of the current emperor, is plotting treachery against the new emperor, and that a rebellion is headed toward the capital.

This film stays very faithful to the original down to the smallest details, save for the kangaroo-rat that suddenly appears twenty minutes into the movie and subsequently follows Aladdin around, serving no purpose in the story but fulfilling the role of token animal mascot. The story takes some illogical and confusing jumps at the point where Aladdin begins to court the princess, and the extravagant animation that had characterised Toei films of the 60s, when Toei had the best animators around, had become a thing of the past long before this point; but this is still an above-average film, in large part because of the screenplay that stays so faithful to the original. The character designs are slightly more western-looking than one is accustomed to seeing in anime.

Kuruma Torajiro is discovered looking around Kyoto for someone special to him.

Moomintroll, Sniff and Little My set out to stop a comet approaching the Moominvalley. Along the way they meet Snufkin, the beautiful Snorkmaiden, Snork and Hemulen, who join them in their quest.

An animated version of the classic story of a young farm-girl who is transported to the magical land of Oz.

Torajiro becomes homesick during his travels after watching a television report about his hometown and meeting a young woman that reminds him of his sister Sakura. Meanwhile, a new tenant moves into Toraya restaurant.

Ginga is a simple—yet energetic—country girl, living with her father far from the capital city of the empire in ancient China. When she learns of an opportunity to become a concubine of the young new Emperor, with the possibility of becoming his head wife in charge of all of the other wives, Ginga convinces her father to let her go. Once there, she meets all of the other potential head wives, each of whom have various reasons for being there. All of them must learn to read and write, learn the history of their country, and learn the proper mannerisms for being in the royal court. Ginga's enthusiasm tends to get her in trouble more often than not, but it works to her advantage when they learn that the former emperor's head wife, who is not the mother of the current emperor, is plotting treachery against the new emperor, and that a rebellion is headed toward the capital.

This film stays very faithful to the original down to the smallest details, save for the kangaroo-rat that suddenly appears twenty minutes into the movie and subsequently follows Aladdin around, serving no purpose in the story but fulfilling the role of token animal mascot. The story takes some illogical and confusing jumps at the point where Aladdin begins to court the princess, and the extravagant animation that had characterised Toei films of the 60s, when Toei had the best animators around, had become a thing of the past long before this point; but this is still an above-average film, in large part because of the screenplay that stays so faithful to the original. The character designs are slightly more western-looking than one is accustomed to seeing in anime.

Kuruma Torajiro is discovered looking around Kyoto for someone special to him.

On a beautiful island in Seto Inner Sea, Seichi and Minko make their living by transporting rocks to construction sites by boat. They cherish the deepest affection for this piece of land they call home, and the simple life they lead. But rapid industrial growth makes it all but impossible to continue their chosen living style, and they are forced to leave their beloved hometown in search of a brighter future. But their hometown lingers on their hearts, and they dream of a time when they may once again return.

Up in Heaven, Yuki’s grandparents decide that, having turned thirteen years old, she must go down to Earth to a village that is torn by bandits and intervene to save its people. However if she does not succeed within one year she will become as insubstantial as the wind. Down in the village, Yuki is befriended by a group of orphans whose parents have all been killed by the bandits and who now subsist by begging. Yuki amazes them by taming the wild horse Blizzard. She is instrumental in getting the orphans and farmers to stand up to first the warring bandits and then Goemon, the greedy lord that owns the region. But Yuki must face her greatest challenge yet when the displeased Demon God that lives in the volcano emerges to destroy those who live beneath.

Burned out butcher Hazama meets a woman at a restaurant and is asked to help her deliver a bag of diamonds.

After an encounter with a dying yakuza's son and at his sister Sakura's urging, Torajiro attempts to change his vagrant lifestyle and become an honest worker with a steady job.

Anime film based on the novel "813" by Maurice Leblanc.

On the road again, Torajiro meets a kindred spirit in Lily, a lounge singer.

The story is set in 1970 during the time of the first EXPO in Japan. The film’s main figure is a miner who suddenly becomes unemployed because the mine he worked in was shut down. He decides to resettle with his whole family to Hokkaido in northern Japan and start a new life as a farmer.

Traveling salesman Kuruma Torajirō falls in love with an inn manager as New Year's approaches.

A dying pianist composes one final song for his childhood friend.

An epic drama depicting the lineage of a military family that lived for three generations before, during, and after World War II, against the backdrop of the turbulent history of the Showa period and the magnificent nature of Hokkaido.

After winning big at the races, Torajiro Kuruma wants to take his aunt and uncle on a trip to Hawaii to partly pay the great filial debt he feels he owes them, but the plan hits a snag. Also, a pretty kindergarten teacher rents a room at Toraya.

This is a folk-tale-like adventure story of an active boy on a quest for the Water of Life. The boy sets out on this quest after learning that the Water of Life is needed to make his village happy. On the way, he meets gods, demons... Soon, he discovers that the evil snake has stolen the Water, and he heads for the snake's palace. Defeating the snake is not easy since it has the Water of Life to revive itself. This boy - Maegami Tarou - continues his courageous quest in cooperation with various creatures and the gods.

Seiko, while suspended from school goes to Nagasaki, where she finds herself involved in a murder mystery.

After an argument with his father a son leaves his home and comes back only, as an adult, many years later just to cause them problem after problem.

An orphan girl receives a scholarship for a prestigious school from an anonymous benefactor who she refers to as Daddy Long Legs.

Japanese drama film.

Japanese drama film.

This is a story about the emotional connection between a young man with no clear purpose and a middle-aged man who abandoned his wife, children, and hometown but is hiding his pain inside.

This is a story about the emotional connection between a young man with no clear purpose and a middle-aged man who abandoned his wife, children, and hometown but is hiding his pain inside.

1979 Japanese film.