Dagmar Teufel

A facially disfigured author's life with her guardian of a sister is disrupted when a stranger arrives at their door, claiming to be a fan.

Montreal, September 1984. Within a span of five days, Montreal’s Olympic Stadium hosts Pope John Paul II and Michael Jackson. A perfect opportunity to explore the impact of the media on the masses. With caustic irony, this film gives voice to people excluded by Church doctrine: the gay, lesbian and trans communities, and women who’ve had abortions or been abused. Beyond documentary, fiction or news report, Passiflora is above all a film that packs a punch, leaves a mark and makes an impression, happily blending analysis, animation, acting, humour and song.

A facially disfigured author's life with her guardian of a sister is disrupted when a stranger arrives at their door, claiming to be a fan.

Montreal, September 1984. Within a span of five days, Montreal’s Olympic Stadium hosts Pope John Paul II and Michael Jackson. A perfect opportunity to explore the impact of the media on the masses. With caustic irony, this film gives voice to people excluded by Church doctrine: the gay, lesbian and trans communities, and women who’ve had abortions or been abused. Beyond documentary, fiction or news report, Passiflora is above all a film that packs a punch, leaves a mark and makes an impression, happily blending analysis, animation, acting, humour and song.