Maria Giménez Cavallo

No synopsis available yet.

A schoolteacher reads aloud excerpts from the most poignant scene of violence against women in Ovid's Metamorphoses. As the ancient verses echo through the classroom, her students begin to recognize beneath the poetry - the myths reveal themselves to be an unsettling mirror of contemporary reality.

The great oak tree of Scandiano, in the Reggio Emilia hills, is the silent witness of a long history, that of a territory shaped by nature and human activity. From the late Renaissance to the present, revolutions and traditions have alternated, leaving an uninterrupted flow of images imprinted in the memory of the centuries-old tree. Shot using a drone in a 15-minute sequence plan, The Great Oak is the result of a courageous technical challenge, but above all a conceptual one: to overturn the anthropocentric point of view of film narration and offer a more articulate perspective on reality, on the invisible links between living beings and on our role in the world.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

A schoolteacher reads aloud excerpts from the most poignant scene of violence against women in Ovid's Metamorphoses. As the ancient verses echo through the classroom, her students begin to recognize beneath the poetry - the myths reveal themselves to be an unsettling mirror of contemporary reality.

A schoolteacher reads aloud excerpts from the most poignant scene of violence against women in Ovid's Metamorphoses. As the ancient verses echo through the classroom, her students begin to recognize beneath the poetry - the myths reveal themselves to be an unsettling mirror of contemporary reality.

A schoolteacher reads aloud excerpts from the most poignant scene of violence against women in Ovid's Metamorphoses. As the ancient verses echo through the classroom, her students begin to recognize beneath the poetry - the myths reveal themselves to be an unsettling mirror of contemporary reality.

The great oak tree of Scandiano, in the Reggio Emilia hills, is the silent witness of a long history, that of a territory shaped by nature and human activity. From the late Renaissance to the present, revolutions and traditions have alternated, leaving an uninterrupted flow of images imprinted in the memory of the centuries-old tree. Shot using a drone in a 15-minute sequence plan, The Great Oak is the result of a courageous technical challenge, but above all a conceptual one: to overturn the anthropocentric point of view of film narration and offer a more articulate perspective on reality, on the invisible links between living beings and on our role in the world.