Madara Botmane-Vāgentroca

Thirty-seven-year-old Zane and Kaspars seem to have it all – love, careers, a home, and shared hobbies. Still, for a decade, they have been unable to have a child. After trying fertility clinics, diets, churches, and healers, Kaspars is slowly coming to terms with the idea that life can be fulfilling even without children. Meanwhile, Zane cannot accept the thought of not becoming a mother and is ready to go to any lengths to make it happen.

A story of a Latvian middle-class couple - Laura and Aivars, who have been forced to look at their lives from a new point of view due to the restrictions of the pandemic, and Laura decides to divorce. Aivars is not happy about this, and in order to make the process less painful, a relationship counselor is hired, who makes Laura and Aivars perform various tasks aimed at making the divorce peaceful and respectful. The couple's children watch the sudden epic with mixed feelings - the eldest daughter Eva, who openly demonstrates her indifference and independence, and the youngest son Haralds, who is fond of video recording, which he also does during parental arguments. Their neighbors, the Liepini family - Talis and Jogita - are also drawn into the whirlwind of events. The divorce becomes an unpredictable and somewhat tragicomic series of events for almost everyone involved.

During late 1950s in Venezuela, nine-year-old Elizabeth’s summer break takes a wild turn when her little brother Leo vanishes into the jungle. She must swap her books for bravery not only to find her brother but also to rescue a mystical furry animal from captivity and bring him back up to the legendary Tepui mountain.

From an early age, songs and fairytales convinced Zelma that Love would solve all her problems as long as she abided by societal expectations of how a girl should act. But as she grew older something didn't seem right with the concept of love: the more she tried to conform, the more her body resisted. A story about the acceptance of the inner female rebellion.

Ralf, 35, is saving his relationship by taking his girlfriend’s son on a boat trip with an aim to establish himself as a father figure. Not a wildlife expert himself, he also takes on board his office buddy, and it soon becomes clear that this unpredictable, flamboyant womaniser is a world away from being an example to look up to. As Ralf tries to protect the boy from his friend's unsophisticated look on gender and sexuality, soon they are confronted with the realities of the sharp winding river and the roughness of Latvian nature.

Urga the dog and her two friends rescue animals in trouble.

A story of a Latvian middle-class couple - Laura and Aivars, who have been forced to look at their lives from a new point of view due to the restrictions of the pandemic, and Laura decides to divorce. Aivars is not happy about this, and in order to make the process less painful, a relationship counselor is hired, who makes Laura and Aivars perform various tasks aimed at making the divorce peaceful and respectful. The couple's children watch the sudden epic with mixed feelings - the eldest daughter Eva, who openly demonstrates her indifference and independence, and the youngest son Haralds, who is fond of video recording, which he also does during parental arguments. Their neighbors, the Liepini family - Talis and Jogita - are also drawn into the whirlwind of events. The divorce becomes an unpredictable and somewhat tragicomic series of events for almost everyone involved.

Urga the dog and her two friends rescue animals in trouble.

Una and Dāvids seem like a happy, wealthy couple, but Una, a former actress, feels insecure about her place in the relationship. Rumors in the tabloids and mysterious texts about her influential husband deepen her doubts. When their friend Oskars visits to negotiate a business deal, tensions rise. Una escapes the pressure by teaching a theater masterclass to a student named Gustavs, where she hatches a plan to protect her role in the family. What begins as a personal struggle turns into a fight for survival. Who is the victim and who is the killer? The viewer must decide.