Robert Colom-Vargas

A closeted young boxer in rural Cuba must face off with his best friend and rival for a chance to escape his hyper-masculine society.

Ana y la Distancia tells the story of a Cuban mother, exiled in Miami, as she anxiously waits for her son who, after the anti-government protests that occurred in Cuba in July 2021, decided to cross borders to reunite with her in the United States.

While looking for a new home for his family, a Haitian demolition worker is faced with the realities of redevelopment as he is tasked with dismantling his rapidly gentrifying Miami neighborhood.

During a driving lesson, two Cuban siblings: a newly arrived trans woman (Lola Bosch) and her estranged conservative brother (Ariel Texidó), face each other for the first time in years, with Miami passing silently outside the windows.

The owner of a failing inn and his roadkill collector friend devise a Bigfoot hoax to draw in tourists, but a Miccosukee Hunter is set to make sure that doesn’t happen.

A closeted young boxer in rural Cuba must face off with his best friend and rival for a chance to escape his hyper-masculine society.

Ana y la Distancia tells the story of a Cuban mother, exiled in Miami, as she anxiously waits for her son who, after the anti-government protests that occurred in Cuba in July 2021, decided to cross borders to reunite with her in the United States.

Ana y la Distancia tells the story of a Cuban mother, exiled in Miami, as she anxiously waits for her son who, after the anti-government protests that occurred in Cuba in July 2021, decided to cross borders to reunite with her in the United States.

While looking for a new home for his family, a Haitian demolition worker is faced with the realities of redevelopment as he is tasked with dismantling his rapidly gentrifying Miami neighborhood.

While looking for a new home for his family, a Haitian demolition worker is faced with the realities of redevelopment as he is tasked with dismantling his rapidly gentrifying Miami neighborhood.

During a driving lesson, two Cuban siblings: a newly arrived trans woman (Lola Bosch) and her estranged conservative brother (Ariel Texidó), face each other for the first time in years, with Miami passing silently outside the windows.

The owner of a failing inn and his roadkill collector friend devise a Bigfoot hoax to draw in tourists, but a Miccosukee Hunter is set to make sure that doesn’t happen.