San Francisco Symphony

Michael Kamen conducts the San Francisco Symphony Orchestra in support of metal rockers Metallica in this 1999 concert performance.

In 1846, Anthony Hope sails into London with the mysterious Sweeney Todd, a once-naive barber whose life and marriage was uprooted by a corrupt justice system. Todd confides in Nellie Lovett, the owner of a local meat pie shop, and the two become partners, as Todd swears revenge on those that have wronged him and decides to take up his old profession.

S&M2, the live concert film from Metallica and the San Francisco Symphony is the concert event of the year! S&M2 features 20 songs from the two-night event that opened San Francisco’s new Chase Center, with many Metallica fan favourites and two unique classical songs chosen by San Francisco Symphony Musical Director, Michael Tilson Thomas. S&M2 is newly re-edited by the band, with re-mixed and remastered audio, for a whole new look and sound from the original theatrical run in October 2019.

How can marks on a 150‐year‐old page transform into the unflinching emotion of Tchaikovsky's 4th Symphony? From decoding the score, to uncovering Tchaikovsky's history, Michael Tilson Thomas gives us a backstage pass to the making of a performance.

Beethoven spent three years composing the Eroica, an intimate journal of his emotional crises and his dramatic emergence as an original master. Michael Tilson Thomas and the musicians of the San Francisco Symphony help you make sense of this voyage into life as it really is.

Mahler's Symphony No.1 by Michael Tilson Thomas and the San Francisco Symphony Orchestra including selected movements of the fifth, seventh and ninth symphonies and the complete Songs of a Wayfarer with baritone Thomas Hampson.

Shostakovich may have secreted a subversive cipher beneath the surface of his life-saving Symphony No. 5. This is all the more shocking since another bad review from Stalin’s totalitarian forces could have meant a sentence to the Gulag or worse.... When he penned this fifth symphony, the composer was literally writing for his life. The risk was so high that Shostakovich slept on the stairs outside his apartment so the secret police would not wake his family when they came from him, as he was sure they would. This Keeping Score episode, investigates the arresting symphony that would either redeem Shostakovich or doom him. Did he dare hide a kernel of musical criticism in what appears to be a paean to the Motherland? Join Michael Tilson Thomas and the San Francisco Symphony as they explore the hidden language of this masterwork. Episode includes full-length concert performance of Dimitri Shostakovich’s Symphony No. 5 in D minor by the San Francisco Symphony.

Michael Tilson Thomas and the San Francisco Symphony rehearse and perform Stravinsky's Rite of Spring.

In 1827, Berlioz saw Harriet Smithson for the first time, playing Ophelia in a production of Hamlet. Hopelessly smitten, he turned his entire life upside down to meet her. Frantic months turned into years when he suddenly heard rumors about Harriet and another man. Believing himself cured, he wrote a ‘fantastic’ symphony complete with a special theme, the idée fixe, to represent his former obsession.