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Aram and his wife Ashkhen are planning a business trip abroad. Trying to please everyone who can impact on reaching their goal, but the trip keep being cancelled...

Gevorg Adamyan is a man of power who enjoys many privileges and is guided throughout his life by the slogan "the purpose justifies the means". This enables him always to stay at the top of the pyramid but, at the same time, gradually ruins him as a person and brings unhappiness to his own family, destroying the lives of his close friends and relatives.

No synopsis available yet.

Two cosmonauts arrive on a barren world and begin a clean-up operation. In the course of their duties, they revive the planet’s civilisation and discover the real reason for its devastation- thermonuclear war. Produced after the peak of tensions in the late Cold War, this animated short from Armenfilm reflects a muted optimism that humanity might- just- avoid total destruction. It also demonstrates the strength of animation under the Soviet system, where even the smaller state studios were capable of inventive but technically polished work.

Aram and his wife Ashkhen are planning a business trip abroad. Trying to please everyone who can impact on reaching their goal, but the trip keep being cancelled...

Gevorg Adamyan is a man of power who enjoys many privileges and is guided throughout his life by the slogan "the purpose justifies the means". This enables him always to stay at the top of the pyramid but, at the same time, gradually ruins him as a person and brings unhappiness to his own family, destroying the lives of his close friends and relatives.

No synopsis available yet.

Two cosmonauts arrive on a barren world and begin a clean-up operation. In the course of their duties, they revive the planet’s civilisation and discover the real reason for its devastation- thermonuclear war. Produced after the peak of tensions in the late Cold War, this animated short from Armenfilm reflects a muted optimism that humanity might- just- avoid total destruction. It also demonstrates the strength of animation under the Soviet system, where even the smaller state studios were capable of inventive but technically polished work.