Adolf Paul

Writing

Adolf Paul

Born — Died

1863-01-06 — 1943-09-30

Place of birth

Bromö, Vänern, Sweden

Known for

Writing

Credits

12 titles

Adolf Georg Wiedersheim-Paul was a Swedish writer of novels/plays and an actor. In 1892 he published a collection of short stories called "The Ripper", in which one chapter entitled "Vanitas" concerns a homosexual liasion between a priest and a schoolboy in Weimar, Germany, while "Oedipus i Norden" is a mother-son incest story from Scandinavia. Adolf Paul lived most of his adult life in Berlin, Germany, where he was a close friend of Swedish writer August Strindberg, Finnish composer Jean Sibelius, and Norwegian painter Edvard Munch.

Known for

Kameraden poster
7.0

Axel and Bertha are a modern, emancipated artist couple in Paris. He is feminine and vain. She is financially independent, member of the women's association "Married's Women's right of ownership" and uses male nude models.

Kameraden

1919

No artwork available
8.0

No synopsis available yet.

Excellency Petticoat

1921

The Devil's Church poster
7.2

In a prologue and four acts (the prologue and the first act are lost so is necessary to describe what happens with title cards) the film depicts the terrible dream of Asmus wherein the devil joins the human world disguised as a tinker. He meets Frau Ane, Asmus' wife; Ane yearns to have a baby but in vain so the devil takes advantage of Frau Ane's motherly inner desire by making a deal with her but for his own purposes. As a result, the farmer's wife comes under the devil's spell and then seduces the local priest, giving the devil to chance to build his own church to replace the old church that has burned down.

The Devil's Church

1919

The End of the Homunculus poster
5.4

A group of scientists, led by a Professor Ortmann, produce a living human child using scientific processes - a "homunculus." This creature is human in every way, except that he cannot experience love.

The End of the Homunculus

1918

The Artificial Man poster
6.2

Part of the artificial-creature series encompassing Der Golem (1914 and 1920), Alraune (1918, 1928, 1930) and Metropolis (1926), 'Homunculus' was the most popular serial in Germany during World War I even influencing the dress of fashionable Berlin. Foenss, a Danish star, is the perfect creature manufactured in a laboratory by Kuehne. Having discovered his origins, that he has no 'soul' and is incapable of love, he revenges himself on mankind, instigating revolutions and becoming a monstrous but beautiful tyrant, relentlessly pursued by his creator-father who seeks to rectify his mistake.

The Artificial Man

1916

The Mysterious Book poster
7.7

No synopsis available yet.

The Mysterious Book

1916

Film credits

1910s · 7 titles

The End of the Homunculus poster
5.4

A group of scientists, led by a Professor Ortmann, produce a living human child using scientific processes - a "homunculus." This creature is human in every way, except that he cannot experience love.

The End of the Homunculus

1918

The Artificial Man poster
6.2

Part of the artificial-creature series encompassing Der Golem (1914 and 1920), Alraune (1918, 1928, 1930) and Metropolis (1926), 'Homunculus' was the most popular serial in Germany during World War I even influencing the dress of fashionable Berlin. Foenss, a Danish star, is the perfect creature manufactured in a laboratory by Kuehne. Having discovered his origins, that he has no 'soul' and is incapable of love, he revenges himself on mankind, instigating revolutions and becoming a monstrous but beautiful tyrant, relentlessly pursued by his creator-father who seeks to rectify his mistake.

The Artificial Man

1916

The Mysterious Book poster
7.7

No synopsis available yet.

The Mysterious Book

1916

Mitternacht poster
8.0

Attorney General Trevor's second wife is found stabbed to death in his safe. Due to a ring with the initials DG, which is also found in the safe, the suspicion initially falls on Donald Gordon, the fiancé of Trevor's daughter.

Mitternacht

1918

No artwork available
7.4

Richard Ortmann the artificial man (Homunculus) has become the head of the corporation that represents the capital and power of the country, but he has stopped believing in human love. All the more clear is his goal now: the annihilation of mankind.

The Revenge of the Homunculus

1917

The Destruction of Mankind poster
7.0

For a long time the homunculus had to hide from his pursuers. But now he mingles with humanity again and sows discord, strife and murder. One day, when he meets an orphaned girl, he takes her to the shepherd Rudolf's parents. His goal is to pair the two together in order to breed a new human race from them. To this end, he kidnaps her to a deserted island. But the plan fails because Rudolf tries to kill the homunculus after learning his true identity. In revenge, the homunculus destroys the entire island, including the young couple. His hitherto loyal companion Edgar Rodin is so horrified by this deed that he renounces the homunculus and threatens him with death.

The Destruction of Mankind

1917

The Love Tragedy of the Homunculus poster
7.0

The homunculus and his companion Edgar Rodin make an invention that would allow the hateful homunculus to destroy the world. But first he wants to find out about love. When he observes how young Anna is rejected by her parents, he takes care of her and asks her parents for forgiveness - without success. He brings her to her seducer, who also rejects the girl. The homunculus then takes revenge by ruining the man financially and throwing Anna at his feet. But she still loves the villain and asks Homunculus for mercy. The homunculus cannot understand this feeling of love - he wants to try it out on himself. He puts a young woman who loves him to the hardest test, but she will do anything for him, sacrificing her fiancé and her parents. Only when he reveals his artificial nature to her, she leaves him. This experience confirms the homunculus in his intention to destroy mankind.

The Love Tragedy of the Homunculus

1916

Behind the camera