Faramarz Ramezanian

Midnight hour. Darkness looms in. In an empty street somewhere in the city, two or perhaps three men argue over some one's death and survival.

"Pantheon" is about the transition period of cinema from negative to digital, the film tries to deal with the emergence and change of different careers in cinema by linking different cinema jobs with ancient Greek myths. This film is a product of Iran's National Cinema School and was shown for the first time in 2018 in an international specialized seminar called "Cinema in the Digital Age". With a poetic and mythological expression, the film Pantheon tries to examine cinema as a dynamic art that never dies.

The night shift driver faces a serious problem...

Unsaid stories from history

Midnight hour. Darkness looms in. In an empty street somewhere in the city, two or perhaps three men argue over some one's death and survival.

Midnight hour. Darkness looms in. In an empty street somewhere in the city, two or perhaps three men argue over some one's death and survival.

"Pantheon" is about the transition period of cinema from negative to digital, the film tries to deal with the emergence and change of different careers in cinema by linking different cinema jobs with ancient Greek myths. This film is a product of Iran's National Cinema School and was shown for the first time in 2018 in an international specialized seminar called "Cinema in the Digital Age". With a poetic and mythological expression, the film Pantheon tries to examine cinema as a dynamic art that never dies.

The night shift driver faces a serious problem...

The night shift driver faces a serious problem...

Unsaid stories from history

Unsaid stories from history