Ezequiel Fernández

The documentary "Les Enfants terribles du cinéma" (The Terrible Children of Cinema) tells the little-known story of one of the crossroads of cinephilia, *OBJECTIF 49*, which culminated in the organization of the Biarritz Festival of Cursed Films during the summer of 1949. This festival was initiated by Jean Cocteau, then at the height of his cinematic career. In Biarritz, films deemed "cursed" were screened because they had not yet found an audience or had been banned by censors. This selection offered a radically different vision of cinema from that of other festivals, such as Cannes. An entire generation of active filmmakers was celebrated: René Clément, Robert Bresson, Jacques Doniol-Valcroze, Eric Rohmer...

Mario and Silvia are a typical Montevidean middle class couple, going through the trauma of retirement. Due to Mario’s oversight in what was to be one of his last operations a small dog dies. Shortly after, Mario and Silvia find that thieves have entered their house. They have no choice but to leave and stay at their daughter’s house, where they will enter a spiral of insecurity and paranoia that will drag them to violence and nonsense.

The documentary "Les Enfants terribles du cinéma" (The Terrible Children of Cinema) tells the little-known story of one of the crossroads of cinephilia, *OBJECTIF 49*, which culminated in the organization of the Biarritz Festival of Cursed Films during the summer of 1949. This festival was initiated by Jean Cocteau, then at the height of his cinematic career. In Biarritz, films deemed "cursed" were screened because they had not yet found an audience or had been banned by censors. This selection offered a radically different vision of cinema from that of other festivals, such as Cannes. An entire generation of active filmmakers was celebrated: René Clément, Robert Bresson, Jacques Doniol-Valcroze, Eric Rohmer...

The documentary "Les Enfants terribles du cinéma" (The Terrible Children of Cinema) tells the little-known story of one of the crossroads of cinephilia, *OBJECTIF 49*, which culminated in the organization of the Biarritz Festival of Cursed Films during the summer of 1949. This festival was initiated by Jean Cocteau, then at the height of his cinematic career. In Biarritz, films deemed "cursed" were screened because they had not yet found an audience or had been banned by censors. This selection offered a radically different vision of cinema from that of other festivals, such as Cannes. An entire generation of active filmmakers was celebrated: René Clément, Robert Bresson, Jacques Doniol-Valcroze, Eric Rohmer...