Johannes Scheidweiler

In the heart of a botanical garden in a medieval university town in Germany stands a majestic ginkgo tree. This silent witness has observed over a century the quiet rhythms of transformation across three human lives. At three distinct moments across the 20th and 21st centuries, these people — each carrying their own questions and inner struggles — inevitably find themselves drawn into the presence of this tree, full of mystery and meaning.

Berlin, post-Corona. Anton is getting his life off the ground: apprenticeship, his own place with his girlfriend, no drugs, nothing dodgy. But then Anton gets a “yellow letter” in which he’s accused of a serious breach of the peace and resisting arrest. It all happened two years ago and the images come flooding back: the 1st May demo, his arrest. Anton has to get reinvolved in the life he was hoping to put behind him. The naive, good-natured boy feels burning hatred when he realizes he’s not the culprit, but the victim.

Karim dreams of becoming a professional soccer player and thereby solving his mother's financial worries. But when he is denied the chance to enter the professional team and his dream is crushed, he is driven to a desperate act.

Two brothers grow up in the Saxon province (part of Germany) at the turn of the millennium, where the dream of family happiness in a new house quickly turns into a nightmare of decay, violence and xenophobia as they desperately search for stability and belonging.

During a trip to Berlin, a young Amish in the middle of a rite of passage reconnects with his roots, explores other ways of life, falls in love — and faces a big decision.

A crew from the U.S. intends to film a war drama at an abandoned sugar factory on the remote outskirts of a German city, making the nearby town, which had been a pool of stagnant water, seem to come to life. The residents are excited, each making their own little plans, until a tank pulls up in front of the mayor's house and a sudden power outage disrupts all plans.

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