Eva Chou

No synopsis available yet.

What haunts us is not only death, but aging. Pei-Hua is drawn like a blurred sketch—gray, undefined, embodying the quiet experience of a woman growing older.Mothers often remain fixed in place, becoming a point of reference for their daughters’ journeys. Each of us carries a “carry-on”—unfinished burdens or lessons meant to be faced in this life. When we finally leave, do these carry-ons remain? In the film, a fire becomes a ritual of release, a way of saying goodbye. Life is rarely pure joy or sorrow, and The Carry-On is no exception.

On a romantic night, she goes on a date with “him.” Through the taste of the delicious meal and the in-depth conversation with him, she recalls the lovely memories from the past.

Ka-long, a wanderlust graduated from the University of Hong Kong, always dreams of backpacking to many countries with his guitar. While he believes he is trapped in Hong Kong, his family thinks that he is simply wasting his life and not settling down for a better future. He is getting more uplifted after he meets Wen-wen, a girl speaks with a Taiwanese accent. While they are dating, Wen-wen makes an effort to hide her true identity from Ka-long. Can they finally resolve the undercurrent of their relationship? Let’s Get Lost ultilises the thematic motif of road movie genre – both protagonists have to embark on a journey of revealing their true identity. As a result, the film widens its scope to the geo-political differences between Hong Kong, Taiwan and China.

If you had only three hours a day, what kind of life would you want to live? A comet has disrupted humanity's biological clock, limiting people to three waking hours a day. On his journey, Ian meets families with distinctive views on time, exploring different life choices along the way.

The life of seventeen-year-old Xuan is anything but ordinary: She lives and works with her mother and sister in a recycling center surrounded by things others have thrown away. One day, at the suggestion of a boy she likes, she tries to escape into the life of a normal teenage girl.

A man tracks dowm his missing father, looking for the ancient memory of a last dish.

In the 1990s, many young women from Southeast Asia, carrying their hopes and dreams, were married off to this faraway island of riches... Through a two-part narrative, the film contrasts the past and the present of Taiwanese society. Can these immigrant women across different eras break free from their predicaments in this foreign land to rediscover themselves? Can they as well as the locals, live truly free lives?

No synopsis available yet.

The last bus has already left the station. Frustrated, the young man reluctantly gets into a nearby illegal taxi with a grandma, a migrant worker, and a talkative driver, and they drive from Changhua City along Zhangshui Road all the way to Erlin. The wheels roll forward, and the scenery of the hometown is reflected on the windshield and constantly receding. Where does the fleeting light in the young man's eyes come from?

No synopsis available yet.