Acting

Şükran Dedeman

Acting credits

40AMbar Gece Tiyatrosu poster
NR

The most distinctive feature of this Ferhan Şensoy play, which is performed in a much sharper language than what today's stand-up comedians describe as an interactive game, is that it takes place inside a ship...

40AMbar Gece Tiyatrosu

1994

Haldun Taner Kabare poster
NR

Haldun Taner Cabaret See what Ferhan Şensoy says about Haldun Taner, the greatest master of art, writer and theater performer of our country, "he is my father," Ferhan Şensoy, who is so devoted to his master, created a cabaret setup for him, turning his stories into sketches and creating a magnificent play. accomplished.

Haldun Taner Kabare

1998

Şu An Mutfaktayım poster
NR

Written by Ferhan Şensoy, Şu An Mutfaktayım (I'm in the Kitchen Right Now) is his 30th play, conceived for Derya Baykal as a one-woman show. Baykal's everyday life, as seen through Şensoy's eyes, gradually becomes generalized, offering a satirical view of contemporary Turkey through Şensoy's lens. The play bridges the local and the universal, engaging the audience in playful banter through its musical comedy.

Şu An Mutfaktayım

1999

Köhne Bizans Operası poster
NR

A harmonious comedy, not with subtle references, but with dialogues flowing in empirical (made-up) Byzantine derived from our language, this is a classic. The conversations between Justinian and Theodora, the plans of the revolutionary greens who are after Justinian's death. You will want to watch this palace comedy, which has left its mark on our memories with the conversations in the Gothic language and the gossip of the guards, over and over again…

Köhne Bizans Operası

1992

Fişne Pahçesu poster
NR

No synopsis available yet.

Fişne Pahçesu

2000

Üç Kurşunluk Opera poster
NR

Ferhan Şensoy says the following about The Threepenny Opera: "When updating Brecht's (The Threepenny Opera) 67 years later, I sometimes approach John Gay's "The Beggar's Opera." For example, in the original work performed 267 years ago, Mack the Knife was a folk hero, while in Brecht's version, he is an ordinary thief. Our own Mahmut is a Kemalist gangster. But we don't stray too far from Brecht; in our play, too, the wrong characters say the right things. And yet The Threepenny Opera is not an opera. It is not a Brecht 'work.' It is an epic farce as close to Brecht's Kel Hasan Efendi as it is to his own work."

Üç Kurşunluk Opera

1995