Theo van Gogh

The misadventures of the anti-social Flodder family living in a upscale suburban neighborhood.

No synopsis available yet.

What does Pim Fortuyn's legacy mean for the Netherlands today? How have his rise and his assassination changed the political and societal debate on migration? And what does that say about Dutch views on tolerance and diversity? In the eight-part KRO-NCRV documentary series Fortuyn: Un-Hollands, producer mint film office gives a voice to people who were barely heard at the time, but who were right at the center of the Fortuyn debate. Critics, political allies and opponents, men and women, with a bicultural background and white, tell how they experienced the Fortuyn revolt and what influence Pim Fortuyn had – and still has – on their lives and positions in the Netherlands.

Insiders, close friends, and experts talk about the impressive life of Princess Beatrix: the powerful woman, friend, and mother behind the office.

A black comedy set in the 1960s in a small Netherlands community, populated by a cast of eccentrics, all of whom hold a range of sexual obsessions and frustrated desires.

Theo van Gogh yearned for love, attention and freedom. How do his family, colleagues, friends and enemies view the radical way in which he worked and lived? And, twenty years after the murder of Theo van Gogh, how do we relate to the discussions he sparked at the time?

The misadventures of the anti-social Flodder family living in a upscale suburban neighborhood.

No synopsis available yet.

What does Pim Fortuyn's legacy mean for the Netherlands today? How have his rise and his assassination changed the political and societal debate on migration? And what does that say about Dutch views on tolerance and diversity? In the eight-part KRO-NCRV documentary series Fortuyn: Un-Hollands, producer mint film office gives a voice to people who were barely heard at the time, but who were right at the center of the Fortuyn debate. Critics, political allies and opponents, men and women, with a bicultural background and white, tell how they experienced the Fortuyn revolt and what influence Pim Fortuyn had – and still has – on their lives and positions in the Netherlands.

Insiders, close friends, and experts talk about the impressive life of Princess Beatrix: the powerful woman, friend, and mother behind the office.

Theo van Gogh yearned for love, attention and freedom. How do his family, colleagues, friends and enemies view the radical way in which he worked and lived? And, twenty years after the murder of Theo van Gogh, how do we relate to the discussions he sparked at the time?

The miserable adventures of Koos Tak, reporter for newspaper 'De Tijdgeest'

No synopsis available yet.

Twenty-five films from twenty-five European countries by twenty-five European directors.

A bartender watches with amusement as two strangers meet and duel verbally in his bar. Katya, a former dancer, is trying to forget the death of her young daughter. Pom, a comedian known for his verbal thrust and parry, tries to charm, shock and disgust his date in turn.

A bartender watches with amusement as two strangers meet and duel verbally in his bar. Katya, a former dancer, is trying to forget the death of her young daughter. Pom, a comedian known for his verbal thrust and parry, tries to charm, shock and disgust his date in turn.

A bartender watches with amusement as two strangers meet and duel verbally in his bar. Katya, a former dancer, is trying to forget the death of her young daughter. Pom, a comedian known for his verbal thrust and parry, tries to charm, shock and disgust his date in turn.

The new bank manager tries to get rid of two difficult bank employees by playing them off against each other in a devious way. Looking for weaknesses, acquired privileges are withdrawn and one employee is used to catch the other committing fraud. The pressure continues to mount. Then a former customer is brought in, a man bent on revenge who still hasn't gotten over a bankruptcy from the distant past.

The new bank manager tries to get rid of two difficult bank employees by playing them off against each other in a devious way. Looking for weaknesses, acquired privileges are withdrawn and one employee is used to catch the other committing fraud. The pressure continues to mount. Then a former customer is brought in, a man bent on revenge who still hasn't gotten over a bankruptcy from the distant past.

A young Dutch couple gets new English neighbors next-door to their modern home. Of course, everyone is not who they seem.

A political thriller about PvdA-frontman Frits Aalbers who gets involved with a mysterious murder in a hotel. To make sure his political career will not be damaged - an important coalition is at stake - the master politician tries to hide the truth no matter the cost. The ambitious young journalist Barbara van Dalen is trying to get a scoop on the impeding coalition, but accidentally stumbles upon the trail of the murder.

Because of her incestuous past Charley (Marie Kooiman) refuses to talk. Together with her friend she invites men to her house, seduces and poisons them and removes their male parts. Then it is revealed that she can talk after all.

Because of her incestuous past Charley (Marie Kooiman) refuses to talk. Together with her friend she invites men to her house, seduces and poisons them and removes their male parts. Then it is revealed that she can talk after all.

A middle-aged journalist interviews the real-life Dutch star Katja Schuurman, in her own loft. Pierre, the journalist is annoyed at being given such a fluffy assignment, as he is normally a political correspondent. Initially he has no questions for Katja, but soon they are coaxing their darkest secrets out of each other.

A middle-aged journalist interviews the real-life Dutch star Katja Schuurman, in her own loft. Pierre, the journalist is annoyed at being given such a fluffy assignment, as he is normally a political correspondent. Initially he has no questions for Katja, but soon they are coaxing their darkest secrets out of each other.

Chris Luger, a fascistic psychopath from The Hague, kidnaps the simple-minded daughter of a millionaire. Her dad refuses to pay the ransom.

Chris Luger, a fascistic psychopath from The Hague, kidnaps the simple-minded daughter of a millionaire. Her dad refuses to pay the ransom.

After the death of her husband, an elderly widow rediscovers her vitality and romance when she falls in love with a fellow nursing home resident.

After the death of her husband, an elderly widow rediscovers her vitality and romance when she falls in love with a fellow nursing home resident.

In the early spring of 1997, Theo van Gogh conducted a series of interviews with Willem Oltmans, the man who at the time loudly proclaimed that he had been obstructed by the State of the Netherlands for more than forty years—in particular Foreign Minister Luns, who called Willem Oltmans "the single-engine mosquito." For years, his lament was barely heard in the Netherlands. But around the mid-nineties, a different wind seemed to be blowing, and Oltmans gained an increasingly wider audience. For it turned out he was right; according to hundreds of secret coded telegrams, he had been obstructed for years in an extremely bizarre manner.

No synopsis available yet.

No synopsis available yet.

A fictional version of the events that led to the assassination of the Dutch politician Pim Fortuyn on May 6, 2002. The movie is based upon the book "The sixth of May" by Tomas Ross.

Sarah, 30, single, well educated, likes art, places a voice ad for phone sex, inviting replies from men under 35, sturdy and sensual. Wilbert, a chubby middle aged architect, leaves a message that he is Thomas, 32 and well formed. A week later, she phones. She likes his voice, he likes her laugh, so once a week she phones him (he's not to know her last name, where she lives, or her number). Portraits emerge of humor and sadness. He presses for details of her life and tells her about his work; she wants these Thursday calls to be fantasy and release, separate from the rest of who she is. The film dramatizes these tensions of lies and truth, connection and distance. Written by

Sarah, 30, single, well educated, likes art, places a voice ad for phone sex, inviting replies from men under 35, sturdy and sensual. Wilbert, a chubby middle aged architect, leaves a message that he is Thomas, 32 and well formed. A week later, she phones. She likes his voice, he likes her laugh, so once a week she phones him (he's not to know her last name, where she lives, or her number). Portraits emerge of humor and sadness. He presses for details of her life and tells her about his work; she wants these Thursday calls to be fantasy and release, separate from the rest of who she is. The film dramatizes these tensions of lies and truth, connection and distance. Written by

Literary adaptation: an artist returns to the stifling atmosphere of the small Dutch village where he grew up, a place marked by morbidity, suppression of emotion, Calvinist hypocrisy and a suffocating patriarchy.

Literary adaptation: an artist returns to the stifling atmosphere of the small Dutch village where he grew up, a place marked by morbidity, suppression of emotion, Calvinist hypocrisy and a suffocating patriarchy.

The Kourdic poet Ibrahim Aziz is suspected of being a member of the Kourdic Marxistic Leninistic Front and enlists the help of his lawyer Wies to receive political asylum in the Netherlands.

After Bernd (Cas Enklaar) picks up his daughter Walyne (Tara Fallaux) who lives with her mother, he takes her off for a supposed day of fun together. His idea of fun is to get his hands on as much free alcohol as he can, and as a result of his carelessness he and his daughter are constantly separated. Each time they reunite, he finds a new group of people for a few more drinks, and another round starts -- as a consequence, there is no build-up to the climax at the end.

After Bernd (Cas Enklaar) picks up his daughter Walyne (Tara Fallaux) who lives with her mother, he takes her off for a supposed day of fun together. His idea of fun is to get his hands on as much free alcohol as he can, and as a result of his carelessness he and his daughter are constantly separated. Each time they reunite, he finds a new group of people for a few more drinks, and another round starts -- as a consequence, there is no build-up to the climax at the end.

This movie follows a gang of Morrocan/Dutch youngsters into their criminal career.

No synopsis available yet.

The student Simon has moved to the red-light district and is completely smitten with a sex worker. When he comes to her aid after she is assaulted, they begin a relationship. He delves into her private life and discovers that underworld figures are after her.

The student Simon has moved to the red-light district and is completely smitten with a sex worker. When he comes to her aid after she is assaulted, they begin a relationship. He delves into her private life and discovers that underworld figures are after her.

No synopsis available yet.

The film tells the story of four fictional characters played by a single actress wearing a veil, but clad in a see-through chador, her naked body painted with verses from the Koran. The characters are Muslim women who have been abused in various ways. The film contains monologues of these women and dramatically highlights three verses of the Koran that give authority to men over women, by showing them painted on women’s bodies.

The film tells the story of four fictional characters played by a single actress wearing a veil, but clad in a see-through chador, her naked body painted with verses from the Koran. The characters are Muslim women who have been abused in various ways. The film contains monologues of these women and dramatically highlights three verses of the Koran that give authority to men over women, by showing them painted on women’s bodies.

The film tells the story of four fictional characters played by a single actress wearing a veil, but clad in a see-through chador, her naked body painted with verses from the Koran. The characters are Muslim women who have been abused in various ways. The film contains monologues of these women and dramatically highlights three verses of the Koran that give authority to men over women, by showing them painted on women’s bodies.

A lawyer must defend a nightclub owner accused of committing a crime-of-passion.