Janchivdorj Jamyansuren

Saruul, a science student, is asked by an injured classmate Namuunaa to work part-time as a substitute in an adult goods store for a month. Katya, the Russian owner, a former ballet dancer who lives an elegant life on her own, realizes that Saruul, who comes daily to deliver the proceeds, has been suppressing herself against her parents' expectations, and tries to release her secret desires and sexual curiosity. Saruul, who lives with her family with little change in her life except for the evenings when she paints her favorite pictures, is exposed to a new world through her interaction with Katya, who has a wealth of life experience, but one incident leads to a growing distrust...

It shows the current school curriculum and the lives of students.

A feature film based on the life of a woman named Tungalag. A single woman struggling to support her two children gives her heart to her friend, who has a serious liver disease and is unable to have children, and entrusts her two children to her friend and goes to heaven.

An anthology film created under one theme by 3 directors who are creating their own colors in contemporary Mongolian cinema.

Faith is a manager in an organization and she will work diligently in her new job after receiving an offer from her management to be the director of the organization. However, his family life will fall apart from the moment he becomes romantically involved with the foreign expert Uyanga. And his good friend Huyaagaa puts him in dire financial straits.

Faith is a manager in an organization and she will work diligently in her new job after receiving an offer from her management to be the director of the organization. However, his family life will fall apart from the moment he becomes romantically involved with the foreign expert Uyanga. And his good friend Huyaagaa puts him in dire financial straits.

Faith is a manager in an organization and she will work diligently in her new job after receiving an offer from her management to be the director of the organization. However, his family life will fall apart from the moment he becomes romantically involved with the foreign expert Uyanga. And his good friend Huyaagaa puts him in dire financial straits.

Death comes calling to an old woman, whose children rush home to see her. As she clings to life in the hope of seeing her missing daughter, the others return to their lives. Alone with his suffering mother, one son faces a terrible choice.

Death comes calling to an old woman, whose children rush home to see her. As she clings to life in the hope of seeing her missing daughter, the others return to their lives. Alone with his suffering mother, one son faces a terrible choice.

In this era of globalization, the film aims to show the tragic image of the relationship between humans and nature, in other words, how humans are moving away from nature and nature from humans. In particular, the deeper humans enter into technical and technological development, the more they lose their humanity, and as a result, their ethnicity, heritage, and ultimately, themselves are destroyed to the point of not being able to recognize themselves.

Water sustains; its absence extinguishes vitality. In the remote Gobi Desert, a mother and a son make their living herding camels. Their wells have dried up, leaving them without fresh drinking water. The two fight for their lives by digging a dried-up well, but there's only enough water for the livestock. Desperate for water, the mother resorts to selling her body. They continue digging, and finally, water emerges.