Raúl Tosso

During a period of political upheaval, three friends, later to be joined by the fourth, Pimpi, a Peronist youth activist, rent a place in Mar de Ajó for three summers to set up a disco.

Gulubú, a fantasy world territory habited by the studious Cow, the Witch and other characters from María Elena Walsh's stories and songs.

Jorge Giannoni isn't a hero; he's a witness to the darkest part of the history of independent cinema in our country, and of an entire generation; a story that saw him present alongside Raymundo Gleyzer and Glauber Rocha in the turbulent Brazil of the 1960s, during the French May as a producer for RAI, in his work as a face-hunter for Fellini, and in film production from Cuba, making documentaries critical of the Trial; a history riddled with encounters, disagreements, exiles, frustrations, burned negatives, and a few triumphs.

Documentary that tells the story of how Domingo Faustino Sarmiento hired 65 North American women to train native teachers and thus be able to establish normal and public schools throughout the territory

During a period of political upheaval, three friends, later to be joined by the fourth, Pimpi, a Peronist youth activist, rent a place in Mar de Ajó for three summers to set up a disco.

During a period of political upheaval, three friends, later to be joined by the fourth, Pimpi, a Peronist youth activist, rent a place in Mar de Ajó for three summers to set up a disco.

Gulubú, a fantasy world territory habited by the studious Cow, the Witch and other characters from María Elena Walsh's stories and songs.

Documentary that tells the story of how Domingo Faustino Sarmiento hired 65 North American women to train native teachers and thus be able to establish normal and public schools throughout the territory