Marco De Bernardi

The construction of the film is very simple. Most of the time we see faces in close-up. Three pairs of faces, usually, on three different levels of superimpositions. At first, the faces are very theatrical, made-up. It's not clear whether they are men or women. They move only slightly. They are, indeed, godlike. As the film progresses, very unnoticeably, these faces begin to gain more life and masculine and feminine qualities. At the end of the film, after three hours, the faces are very real, and very human, and sexes and ages are very clearly defined: men, women, children.

Daniele, a stockbroker, learns that he has lost a large sum entrusted to him by his friend Giovanni Bensi and he does not have the nerve to tell it in person, so he writes a letter to his friend, telling him that he may collect his life insurance, as he is going to commit suicide - but he can not tell, because he will find a way to make it appear as a misfortune. The insurance policy is valid until midnight, but does not cover suicide.