Directing
Ernesto Loaiza
Born
2000-07-26 (26)
Place of birth
Rio de Janeiro, Rio de Janeiro, Brazil
Known for
Directing
Credits
4 titles
Ernesto Loaiza (July 26, 2000) is a brazilian director and composer. He directed his debut short film FORTEpiano (2021), that was selected to the 37. Kurzfilm Festival Hamburg, and the short film in post production Before the Green Ball. He composed the music score for the short films The Tragedy of the Maned Wolf (2025) and Cilene and the Sea (2025).
Known for
NRA person shaken by the catastrophes of the world cannot let go of their chaotic thoughts until they find a bond that was once lost.
FORTEpiano
2021
NRTatisa eagerly gets ready to go to the highly anticipated Green Ball, but chooses to ignore her father who is dying in silence in the next room. Her friend Lu, who anticipates this tragic end, tries to help her come to terms with the inevitability of loss. Amidst the sparkle of beads and the obscurity of death, Tatisa finds herself paralyzed in her denial, unable to accept the impending grief.
Before the Green Ball
—
Behind the camera
NRA person shaken by the catastrophes of the world cannot let go of their chaotic thoughts until they find a bond that was once lost.
FORTEpiano
2021
NRA person shaken by the catastrophes of the world cannot let go of their chaotic thoughts until they find a bond that was once lost.
FORTEpiano
2021
NRTatisa eagerly gets ready to go to the highly anticipated Green Ball, but chooses to ignore her father who is dying in silence in the next room. Her friend Lu, who anticipates this tragic end, tries to help her come to terms with the inevitability of loss. Amidst the sparkle of beads and the obscurity of death, Tatisa finds herself paralyzed in her denial, unable to accept the impending grief.
Before the Green Ball
—
NRTatisa eagerly gets ready to go to the highly anticipated Green Ball, but chooses to ignore her father who is dying in silence in the next room. Her friend Lu, who anticipates this tragic end, tries to help her come to terms with the inevitability of loss. Amidst the sparkle of beads and the obscurity of death, Tatisa finds herself paralyzed in her denial, unable to accept the impending grief.
Before the Green Ball
—