Éric Rohmer

Jean-Luc Godard is synonymous with cinema. With the release of Breathless in 1960, he established himself overnight as a cinematic rebel and symbol for the era's progressive and anti-war youth. Sixty-two years and 140 films later, Godard is among the most renowned artists of all time, taught in every film school yet still shrouded in mystery. One of the founders of the French New Wave, political agitator, revolutionary misanthrope, film theorist and critic, the list of his descriptors goes on and on. Godard Cinema offers an opportunity for film lovers to look back at his career and the subjects and themes that obsessed him, while paying tribute to the ineffable essence of the most revered French director of all time.

Jean-Luc Godard is synonymous with cinema. With the release of Breathless in 1960, he established himself overnight as a cinematic rebel and symbol for the era's progressive and anti-war youth. Sixty-two years and 140 films later, Godard is among the most renowned artists of all time, taught in every film school yet still shrouded in mystery. One of the founders of the French New Wave, political agitator, revolutionary misanthrope, film theorist and critic, the list of his descriptors goes on and on. Godard Cinema offers an opportunity for film lovers to look back at his career and the subjects and themes that obsessed him, while paying tribute to the ineffable essence of the most revered French director of all time.

Stéphane Mallarmé is one of the many educational documentaries that Éric Rohmer did for the television during the 1960’s. At the beginning of the film, Rohmer states that he has placed in Mallarmé’s mouth words taken from an interview with the writer by Jules Heuret published in 1891.

Shot in 16mm, Berenice is Rohmer’s first finished film. The film is based on a story by Edgar Allen Poe about a man who becomes obsessed with his fiancé’s teeth. The film was shot at Andre Bazin’s house by Jacques Rivette. Rivette also edited the film.

Eric Rohmer leads a conversation with Jean Renoir and Henri Langlois on the art of filmmaker Louis Lumière.

Twenty-six people - including two daughters, an ex-wife, his last lover, actors, fellow directors and writers, a neighbor, and boyhood friends - talk about François Truffaut. They discuss his attitudes toward wealth, his early writings about cinema, the undercurrent of violence in his films and his personality, the way he used and altered events in his life when making films, his search for a father (both artistic and biological), his relationship with his mother, the scenes in his films that cause a squirm of embarrassment, and his ultimate mysticism. Clips from a dozen of his films are included.

A German Marquise has to deal with a pregnancy she cannot explain and an infatuated Russian Count.

Two young girls meet, Reinette from the countryside and Mirabelle from Paris, and decide to take a flat together in Paris where they attend University. Four successive stories about their daily lives illustrate the very different views, characters and relation to the world of these two friends.

What was your first desire? What did you long for most? Arielle Dombasle put these questions to a wide circle of famous people.

A series of stories told by Rosette about her vacation. Filmed in super 8 by Eric Rohmer.

Part of the Cinéastes de notre temps series.

While two theater groups rehearse plays by Aeschylus, two solitary individuals wander the Parisian streets hustling the populace for cash.

Six vignettes set in different sections of Paris, by six directors. St. Germain des Pres (Douchet), Gare du Nord (Rouch), Rue St. Denis (Pollet), and Montparnasse et Levallois (Godard) are stories of love, flirtation and prostitution; Place d'Etoile (Rohmer) concerns a haberdasher and his umbrella; and La Muette (Chabrol), a bourgeois family and earplugs.

Eric Rohmer and his actors prepare and rehearse "Perceval le Gallois".

Passionate about music, Julien nevertheless works with a sculptor. One day, he meets young Hermine at a religious bookseller.

Out 1: Spectre begins as nothing more than scenes from Parisian life; only as time goes by do we realize that there is a plot—perhaps playful, perhaps sinister—that implicates not just the thirteen characters, but maybe everyone, everywhere. Real life may be nothing but an enormous yarn someone somewhere is spinning...

A twenty-minute short documentary produced in 1972 about Jacques Rivette’s “Out 1”, featuring Éric Rohmer, Jacques Doniol-Valcroze, Michel Delahaye, and Jacques Rivette.

Éric Rohmer converses with collaborators and admirers.

Some time after marrying a sensual girl, Pozdnychev realizes the only link to his spouse is that of physical love. When a violinist with whom his wife plays regularly the “Sonata to Kreutzer” appears, the young woman blooms in a new passion. From then on, her husband is eaten away by jealousy.

Episodes in the lives of two country girls at school in Paris and their opinions.

No synopsis available yet.

The documentary delves into Éric Rohmer's distinctive filmmaking process, using film clips, rare interviews, and unreleased test footage.

In 1995, producer Françoise Etchegaray recorded the production of A Summer's Tale. The footage remained on the shelf for years until director Jean-André Fieschi combined the images with bits of the finished film.

No synopsis available yet.

A lonely Parisian woman comes to terms with her isolation and anxieties during a long summer vacation.

A lonely Parisian woman comes to terms with her isolation and anxieties during a long summer vacation.

A reflection on the french language, done for french TV by Eric Rohmer.

Stéphane Mallarmé is one of the many educational documentaries that Éric Rohmer did for the television during the 1960’s. At the beginning of the film, Rohmer states that he has placed in Mallarmé’s mouth words taken from an interview with the writer by Jules Heuret published in 1891.

Stéphane Mallarmé is one of the many educational documentaries that Éric Rohmer did for the television during the 1960’s. At the beginning of the film, Rohmer states that he has placed in Mallarmé’s mouth words taken from an interview with the writer by Jules Heuret published in 1891.

Shot in 16mm, Berenice is Rohmer’s first finished film. The film is based on a story by Edgar Allen Poe about a man who becomes obsessed with his fiancé’s teeth. The film was shot at Andre Bazin’s house by Jacques Rivette. Rivette also edited the film.

Shot in 16mm, Berenice is Rohmer’s first finished film. The film is based on a story by Edgar Allen Poe about a man who becomes obsessed with his fiancé’s teeth. The film was shot at Andre Bazin’s house by Jacques Rivette. Rivette also edited the film.

No synopsis available yet.

Marion is about to divorce from her husband and takes her 15-year-old niece, Pauline, on a vacation to Granville. There, she meets an old love...

Marion is about to divorce from her husband and takes her 15-year-old niece, Pauline, on a vacation to Granville. There, she meets an old love...

A bombastic, womanizing art dealer and his painter friend go to a seventeenth-century villa on the Riviera for a relaxing summer getaway. But their idyll is disturbed by the presence of the bohemian Haydée, accused of being a “collector” of men.

A bombastic, womanizing art dealer and his painter friend go to a seventeenth-century villa on the Riviera for a relaxing summer getaway. But their idyll is disturbed by the presence of the bohemian Haydée, accused of being a “collector” of men.

Eric Rohmer leads a conversation with Jean Renoir and Henri Langlois on the art of filmmaker Louis Lumière.

The story of an introverted young girl just reaching adulthood who takes a liking to an older woman she meets at a party and determines to match her off with her father, despite the latter's already having a lover of his own.

The story of an introverted young girl just reaching adulthood who takes a liking to an older woman she meets at a party and determines to match her off with her father, despite the latter's already having a lover of his own.

The Catholic Jean-Louis runs into an old friend, the Marxist Vidal, in Clermont-Ferrand around Christmas. Vidal introduces Jean-Louis to the modestly libertine, recently divorced Maud and the three engage in conversation on religion, atheism, love, morality and Blaise Pascal's life and writings on philosophy, faith and mathematics. Jean-Louis ends up spending a night at Maud's. Jean-Louis' Catholic views on marriage, fidelity and obligation make his situation a dilemma, as he has already, at the very beginning of the film, proclaimed his love for a young woman whom, however, he has never yet spoken to.

The Catholic Jean-Louis runs into an old friend, the Marxist Vidal, in Clermont-Ferrand around Christmas. Vidal introduces Jean-Louis to the modestly libertine, recently divorced Maud and the three engage in conversation on religion, atheism, love, morality and Blaise Pascal's life and writings on philosophy, faith and mathematics. Jean-Louis ends up spending a night at Maud's. Jean-Louis' Catholic views on marriage, fidelity and obligation make his situation a dilemma, as he has already, at the very beginning of the film, proclaimed his love for a young woman whom, however, he has never yet spoken to.

Awaiting his girlfriend Léna’s arrival at the Breton seaside resort of Dinard, Gaspard befriends — and flirts heavily with — two other women, the companionable ethnology student Margot and the sensual townie Solène, making for a rather complicated situation when Léna finally arrives.

Awaiting his girlfriend Léna’s arrival at the Breton seaside resort of Dinard, Gaspard befriends — and flirts heavily with — two other women, the companionable ethnology student Margot and the sensual townie Solène, making for a rather complicated situation when Léna finally arrives.

Magali, forty-something, is a winemaker and a widow: she loves her work but feels lonely. Her friends Rosine and Isabelle both want secretly to find a husband for Magali.

Magali, forty-something, is a winemaker and a widow: she loves her work but feels lonely. Her friends Rosine and Isabelle both want secretly to find a husband for Magali.

Felicie and Charles have a whirlwind holiday romance. Due to a mix-up on addresses they lose contact, and five years later at Christmas-time Felicie is living with her mother in a cold Paris with a daughter as a reminder of that long-ago summer. For male companionship she oscillates between hairdresser Maxence and the intellectual Loic, but seems unable to commit to either as the memory of Charles and what might have been hangs over everything.

Felicie and Charles have a whirlwind holiday romance. Due to a mix-up on addresses they lose contact, and five years later at Christmas-time Felicie is living with her mother in a cold Paris with a daughter as a reminder of that long-ago summer. For male companionship she oscillates between hairdresser Maxence and the intellectual Loic, but seems unable to commit to either as the memory of Charles and what might have been hangs over everything.

On the eve of his wedding, on holiday on the Lake Annecy shore, a career diplomat visits an old acquaintance, perhaps a former girlfriend. Through her he meets an intense teenager, Laura, and then lusts after her sister, Claire. Whilst Laura attempts to flirt with him, his fantasy becomes focused on wanting to caress Claire's knee.