Marina Kondratyeva

Peer Gynt is a young Norwegian man who lives in fantasies and longs to become a king. Rejected by his village and scolded by his mother, he escapes into the forest – where his dreams begin to take shape when he meets the daughter of the mysterious Dovre King...

A three newly wedded pairs are traveling to a wonderful exotic island of Cuba and adventures start.

Director Yuri Eremin masterfully presents classics in a contemporary way, finding vital connections with the present while avoiding semantic and artistic overstatements. Dostoevsky's translation of the biblical story to Russian soil resonates more poignantly than ever before. The play, with its intense plot development, seamlessly intertwines profound philosophical and moral content with a maelstrom of destructive passions, centered on the protagonist, who unwittingly sparks a love rivalry between two extraordinary women. Staged at the Mossovet Theatre in Moscow.

The volatile intersections of contemporary Moscow and the intimate lives of five people.

In a future in which human-like androids have become commonplace companions and servants, one, with a handsome male appearance, finds its owner's feelings difficult to understand and her desires impossible to fulfill.

Based on the novel by F. M. Dostoevsky "Crime and Punishment".

Based on two plays by Alexei Konstantinovich Tolstoy – "The Death of John the Terrible" and "Tsar Fyodor Ioannovich".

A retired KGB colonel, having collected at his country house a file cabinet of people who had cooperated with the Committee in previous years, calls them back to his house and makes them perform certain tasks. But even on it there are bigger sharks - representatives of the mafia, who have guessed how much money they can now get from the former "peasants". However, one of them, dreaming to finish with the archive, will somewhat disrupt the plans of the above-mentioned characters.

Based on the short story by F.M. Dostoevsky "The Eternal Husband", the comedy by I.S. Turgenev "The Provincial Girl".

Julien Paluch is principled in everything: in his work and in his life. The formula "genius and debauchery" is not for him. His fanatical passion for new theatrical ideas attracts a wide variety of people to him. But one day in the director's life there comes a moment when Palyush begins to doubt that he is talented, and that his actions and relationships with people were selfless, sincere, and humane.