Irina Raffo

A cinematographic poetry that portrays the artistic link between the French filmmaker André S. Labarthe and his disciple, the Uruguayan filmmaker Gabriela Guillermo. The letters that were written over the years testify, not only to the mutual affection and admiration, but also their will to one day make a movie together. After trouble in the production due to the teacher's delicate health and his subsequent death, we witness in the winter landscapes the creative complicity between both filmmakers.

Love story between a hopeless woman and the one that saves her, united by camaraderie, solidarity, and complicity.

In Montevideo's Botanical Garden, a fleeting encounter ignites a fevered love between Agustín and Bruno. As Bruno departs for Venice, desire persists across oceans, entangling a Spinozist professor and rival passions. Between philosophy and flesh, jealousy and freedom, spring unfolds as a restless search for love, nature, and the fragile ethics of attachment.

Five stories of summer love lived by young Uruguayans and the hopeful record - of three sunsets - to see the green ray.

Gaël, Laeticia and Jean Julien meet in Paris 40 years after the making of Enfants coureurs du temps, a film they shot as children with André S. Labarthe and Sophie Barrouyer. The reunion triggers memories of that shared filming; together they reflect on the traces that the film and their childhoods have left on them. The filmed faces of those three children overlap with their own adult gazes, the Paris of 1983 merges with that of 2023. Time thus becomes the main character in this film.

A cinematographic poetry that portrays the artistic link between the French filmmaker André S. Labarthe and his disciple, the Uruguayan filmmaker Gabriela Guillermo. The letters that were written over the years testify, not only to the mutual affection and admiration, but also their will to one day make a movie together. After trouble in the production due to the teacher's delicate health and his subsequent death, we witness in the winter landscapes the creative complicity between both filmmakers.

A cinematographic poetry that portrays the artistic link between the French filmmaker André S. Labarthe and his disciple, the Uruguayan filmmaker Gabriela Guillermo. The letters that were written over the years testify, not only to the mutual affection and admiration, but also their will to one day make a movie together. After trouble in the production due to the teacher's delicate health and his subsequent death, we witness in the winter landscapes the creative complicity between both filmmakers.

Love story between a hopeless woman and the one that saves her, united by camaraderie, solidarity, and complicity.

Love story between a hopeless woman and the one that saves her, united by camaraderie, solidarity, and complicity.

Love story between a hopeless woman and the one that saves her, united by camaraderie, solidarity, and complicity.

In Montevideo's Botanical Garden, a fleeting encounter ignites a fevered love between Agustín and Bruno. As Bruno departs for Venice, desire persists across oceans, entangling a Spinozist professor and rival passions. Between philosophy and flesh, jealousy and freedom, spring unfolds as a restless search for love, nature, and the fragile ethics of attachment.

In Montevideo's Botanical Garden, a fleeting encounter ignites a fevered love between Agustín and Bruno. As Bruno departs for Venice, desire persists across oceans, entangling a Spinozist professor and rival passions. Between philosophy and flesh, jealousy and freedom, spring unfolds as a restless search for love, nature, and the fragile ethics of attachment.

Five stories of summer love lived by young Uruguayans and the hopeful record - of three sunsets - to see the green ray.

Five stories of summer love lived by young Uruguayans and the hopeful record - of three sunsets - to see the green ray.

Five stories of summer love lived by young Uruguayans and the hopeful record - of three sunsets - to see the green ray.

Gaël, Laeticia and Jean Julien meet in Paris 40 years after the making of Enfants coureurs du temps, a film they shot as children with André S. Labarthe and Sophie Barrouyer. The reunion triggers memories of that shared filming; together they reflect on the traces that the film and their childhoods have left on them. The filmed faces of those three children overlap with their own adult gazes, the Paris of 1983 merges with that of 2023. Time thus becomes the main character in this film.