Juan Francisco González

In the middle of Atacama Desert, vestiges of the last nitrate industry are​ ​found, while the residents witness the crash of an industry located in the driest​ ​place on Earth.

A secret figure in French underground cinema, Maria Koleva has filmed all over Paris, written about Marx and rubbed shoulders with the likes of Serge Daney. This documentary is a portrait of a histrionic Koleva, trying to reveal her militant, poetic and cinematographic universe, located in the Latin Quarter of Paris.

Tiziano is a little boy almost like the others, who grows up between the demonstrations in Chile, the history of his family and the innocence of his age.

The writtings of a relegate to the Patagonian archipelago during the chilean military dictatorship are found 35 years later. The notebook takes us into his encounters with the inhabitants of the Guaitecas Islands and their ways of life deeply linked to the sea.

After 20 years of traveling through Latin America, a French-Swiss ethnographer disappears from the map. Using travel journals from various ethnographers and non-fiction film archives, the author imagines and constructs a travel diary of the unknown and incognito ethnographer from the 1950s and 1970s, a testimony to the industrial transformation, evangelization, and ethnocide of Latin American communities.

In the middle of Atacama Desert, vestiges of the last nitrate industry are​ ​found, while the residents witness the crash of an industry located in the driest​ ​place on Earth.

In the middle of Atacama Desert, vestiges of the last nitrate industry are​ ​found, while the residents witness the crash of an industry located in the driest​ ​place on Earth.

A secret figure in French underground cinema, Maria Koleva has filmed all over Paris, written about Marx and rubbed shoulders with the likes of Serge Daney. This documentary is a portrait of a histrionic Koleva, trying to reveal her militant, poetic and cinematographic universe, located in the Latin Quarter of Paris.

A secret figure in French underground cinema, Maria Koleva has filmed all over Paris, written about Marx and rubbed shoulders with the likes of Serge Daney. This documentary is a portrait of a histrionic Koleva, trying to reveal her militant, poetic and cinematographic universe, located in the Latin Quarter of Paris.

Tiziano is a little boy almost like the others, who grows up between the demonstrations in Chile, the history of his family and the innocence of his age.

The writtings of a relegate to the Patagonian archipelago during the chilean military dictatorship are found 35 years later. The notebook takes us into his encounters with the inhabitants of the Guaitecas Islands and their ways of life deeply linked to the sea.

After 20 years of traveling through Latin America, a French-Swiss ethnographer disappears from the map. Using travel journals from various ethnographers and non-fiction film archives, the author imagines and constructs a travel diary of the unknown and incognito ethnographer from the 1950s and 1970s, a testimony to the industrial transformation, evangelization, and ethnocide of Latin American communities.