Carlos Rebolledo

Documentary in four parts on Latin American cinema. First episode: the influences of Cahiers du cinéma, the New Wave, Italian neorealism. In Brazil, Cinema Novo draws inspiration from these models while drawing on the historical and cultural singularity of the country. The documentary was awarded the Prix Makhila d’or at the Festival de Biarritz, France.

Dead Well (Pozo muerto, 1967) is a Venezuelan documentary directed by Carlos Rebolledo and produced by the avant-garde collective El Techo de la Ballena. Through a series of testimonies from residents of the oil towns of Cabimas and Lagunillas, the film recounts the human cost of Venezuela’s oil industry. Tracing the country's petroleum history from the 1922 Barroso II oil well blowout to the late 1960s, it exposes the exploitation, poverty, and environmental devastation endured by communities along the eastern shore of Lake Maracaibo. Filmed in black-and-white on 35mm, the documentary is regarded as a landmark work of the New Latin American Cinema.

Existential confrontations are unleashed while people try to survival within a concret jungle. Such conflict gets worst when the person is near his fifties and finds himself empty-handed, without a real company, full of frustrations that hound him.

Documentary in four parts on Latin American cinema. Second episode, evoking the border between fiction and documentary. With his film Tire dié (1960), the Argentinian Fernando Birri proposed this manifesto: to create a realistic and critical national cinema, closer to society without falling into populism.

Documentary film by Jorge Solé and Carlos Rebolledo.

A motion picture of the economic and social situation in current Venezuela, through three characters affected one way or another by dependency and neocolonialism.

Dead Well (Pozo muerto, 1967) is a Venezuelan documentary directed by Carlos Rebolledo and produced by the avant-garde collective El Techo de la Ballena. Through a series of testimonies from residents of the oil towns of Cabimas and Lagunillas, the film recounts the human cost of Venezuela’s oil industry. Tracing the country's petroleum history from the 1922 Barroso II oil well blowout to the late 1960s, it exposes the exploitation, poverty, and environmental devastation endured by communities along the eastern shore of Lake Maracaibo. Filmed in black-and-white on 35mm, the documentary is regarded as a landmark work of the New Latin American Cinema.

Dead Well (Pozo muerto, 1967) is a Venezuelan documentary directed by Carlos Rebolledo and produced by the avant-garde collective El Techo de la Ballena. Through a series of testimonies from residents of the oil towns of Cabimas and Lagunillas, the film recounts the human cost of Venezuela’s oil industry. Tracing the country's petroleum history from the 1922 Barroso II oil well blowout to the late 1960s, it exposes the exploitation, poverty, and environmental devastation endured by communities along the eastern shore of Lake Maracaibo. Filmed in black-and-white on 35mm, the documentary is regarded as a landmark work of the New Latin American Cinema.

Existential confrontations are unleashed while people try to survival within a concret jungle. Such conflict gets worst when the person is near his fifties and finds himself empty-handed, without a real company, full of frustrations that hound him.

Existential confrontations are unleashed while people try to survival within a concret jungle. Such conflict gets worst when the person is near his fifties and finds himself empty-handed, without a real company, full of frustrations that hound him.

Documentary film by Jorge Solé and Carlos Rebolledo.

A motion picture of the economic and social situation in current Venezuela, through three characters affected one way or another by dependency and neocolonialism.

A motion picture of the economic and social situation in current Venezuela, through three characters affected one way or another by dependency and neocolonialism.

Alfredo Alvarado is a famous dancer and criminal from Venezuela. His horrifying adventures are narrated through a television program. It exposes the contradictions of that context. It is based on the book Los cuentos de Alfredo Alvarado “El Rey del Joropo", by Edmundo Aray.

Alfredo Alvarado is a famous dancer and criminal from Venezuela. His horrifying adventures are narrated through a television program. It exposes the contradictions of that context. It is based on the book Los cuentos de Alfredo Alvarado “El Rey del Joropo", by Edmundo Aray.