
Writing
Bernard-Marie Koltès
Born — Died
1948-04-09 — 1989-04-15
Place of birth
Metz, Moselle, France
Known for
Writing
Credits
4 titles
Bernard-Marie Koltès (9 April 1948 – 15 April 1989) was a French playwright and theatre director best known for his plays La Nuit juste avant les Forêts (The Night Just Before the Forests, 1976), Sallinger (1977) and Dans la Solitude des Champs de Coton (In the Solitude of Cotton Fields, 1986). A close friend and collaborator with the avant-garde director Patrice Chéreau, the two created groundbreaking work together at both the La MaMa Experimental Theatre Club in New York City and the Théâtre des Amandiers in Nanterre. At the time of his death, Koltès was considered to be one of the most important young voices in French theatre, and heir apparent to the legacy left by post-war playwrights…
Known for
8.5Apostrophes was a live, weekly, literary, prime-time, talk show on French television created and hosted by Bernard Pivot. It ran for fifteen years (724 episodes) from January 10, 1975, to June 22, 1990, and was one of the most watched shows on French television (around 6 million regular viewers). It was broadcast on Friday nights on the channel France 2 (which was called "Antenne 2" from 1975 to 1992). The hourlong show was devoted to books, authors and literature. The format varied between one-on-one interviews with a single author and open discussions between four or five authors.
Apostrophes
1975
5.7A fleeting encounter in a train station draws a withdrawn young man into a shadowy world of desire and danger. As obsession deepens, innocence destroyed, and an irreversible transformation begins.
The Wounded Man
1983
NROne night, Roberto Zucco escapes from the prison where he was incarcerated for the murder of his father. Thus begins a dizzying escape, punctuated by encounters that illustrate a quest for identity.
Roberto Zucco
2026
3.7From this "inexorable disease", Hervé Guibert did not recover. The miracle he had so much hoped for did not happen. But, before his death in 1991, three years after learning of his HIV-positive status, he engraved in his literary and photographic work "the places of [his] suffering", "the stations of [his] way of the cross". With his thin body and sunken cheeks, the handsome man with curly hair that he was, the one whose clear gaze radiated from the seaside photos, fought a fierce battle against AIDS. A fight of every moment against the decay of the body, observed and commented with a methodical care in his autobiographical novels, in particular "To the Friend Who Did Not Save My Life" (1990) and "The Compassionate Protocol" (1991), and of which he testified on television on the set of "Apostrophes"...
Hervé Guibert, la mort propagande
2021
