Rose-Marie Schneider

Set amid the European community in an unspecified North African country, a colony on the verge of nationalism just before the war. And colonized is what happens to a French diplomat, Julien Rochelle, when he meets the mysterious beauty Clothilde de Watteville. Schmid 's favorite axiom, that love is projection, never had such a thorough airing. Is Clothilde really the wife of a French official now holed up in Siberia? Or is she Hecate, goddess of black magic and devourer of the Arab boys she meets far from the European quarter? Only our projections know for sure; for the rest, she is a "woman looking out into the night." Drawn from a novel by Paul Morand, who based the main character on his wife Helene, Schmid's film achieves an atmosphere of magic in which psychological credibility is not so much absent as irrelevant-a film that distances itself from the drama it invokes, perhaps as the elusive Clothilde turns her back on the madness she provokes.

In a fascinating, spell-binding landscape, an exchange of memories takes place between witnesses still alive and those who, through their writings and music, long ago fashioned a memorial to the largest ever Jewish cosmos - right there in the heart of Europe.

On the shores of the Gulf of Finland, the ancient Finno-Ugric peoples originated a singing tradition of mysterious power called the Regilaul. These songs are the roots of Estonia’s renowned singing culture. Based on the continuous repetition of eight-syllable verses, they produce a haunting sound able to connect the fleeting present with the eternal circle of life. Against the stunning setting of modern Estonia, this film explores how Regi songs still fire the imagination today, weaving together people and nature through song.

A postman in a small mountain village finds a woman and her son both dead in the "grotte aux loups" (cave of wolves). He soon begins to realize than it's not natural death, and that someone in the village in behind their murder, while tragic events occur.