Gili Gaon

Raveh does not only document the past, he documents a future that will never be, and the films that Amrani did not live to create. Researching Amrani's documents, Raveh found several short screenplays, and sought out three directors of Amrani's generation to bring them to life. The short films are interwoven throughout the documentary - "The Boat", directed by Nir Bergman, "Albert and Ronit", directed by Dover Kosashvili, and "Sabbath Eve", directed by Joseph Cedar. The warmth, intensity and drama of family life; issues of Persian ethnicity; tradition and the desire to break away from tradition; the competition and camaraderie of boys and men; the search for love; a persistent spiritual search and a love of the sea - all these are reflected in the brief yet intriguing vignettes, imbuing the film with a sense of Amrani's vision as a filmmaker and how his presence might have influenced the Israeli film scene.

Salah and Daud Al-Kuwaiti, Jewish musicians in Iraq in the 1930's, are considered the creators of modern Iraqi music, and two of the greatest Arab musicians in history. In the 1950's they immigrated to Israel, where no one paid attention to their music. They forbade their family members to become musicians, lest they experience the same pain. Despite this, Daud's grandson, Dudu Tassa is a leading performer in today's Israeli rock scene. Releasing an album which features the original music of the Al-Kuwaitis in modern style, Dudu attempts to bridge time, space and culture, healing the family's pain.

Raveh does not only document the past, he documents a future that will never be, and the films that Amrani did not live to create. Researching Amrani's documents, Raveh found several short screenplays, and sought out three directors of Amrani's generation to bring them to life. The short films are interwoven throughout the documentary - "The Boat", directed by Nir Bergman, "Albert and Ronit", directed by Dover Kosashvili, and "Sabbath Eve", directed by Joseph Cedar. The warmth, intensity and drama of family life; issues of Persian ethnicity; tradition and the desire to break away from tradition; the competition and camaraderie of boys and men; the search for love; a persistent spiritual search and a love of the sea - all these are reflected in the brief yet intriguing vignettes, imbuing the film with a sense of Amrani's vision as a filmmaker and how his presence might have influenced the Israeli film scene.

Salah and Daud Al-Kuwaiti, Jewish musicians in Iraq in the 1930's, are considered the creators of modern Iraqi music, and two of the greatest Arab musicians in history. In the 1950's they immigrated to Israel, where no one paid attention to their music. They forbade their family members to become musicians, lest they experience the same pain. Despite this, Daud's grandson, Dudu Tassa is a leading performer in today's Israeli rock scene. Releasing an album which features the original music of the Al-Kuwaitis in modern style, Dudu attempts to bridge time, space and culture, healing the family's pain.

Salah and Daud Al-Kuwaiti, Jewish musicians in Iraq in the 1930's, are considered the creators of modern Iraqi music, and two of the greatest Arab musicians in history. In the 1950's they immigrated to Israel, where no one paid attention to their music. They forbade their family members to become musicians, lest they experience the same pain. Despite this, Daud's grandson, Dudu Tassa is a leading performer in today's Israeli rock scene. Releasing an album which features the original music of the Al-Kuwaitis in modern style, Dudu attempts to bridge time, space and culture, healing the family's pain.