Amartei Armar

Two orphans, Owusu and Adobea, brave the Ghanaian countryside, with one quest in mind: to find their last legitimate parent who would be able to bring back their identities.

A Ghanaian orphan’s life is turned upside down when he finds out his younger brother has been selected for adoption by an American family.

Set in a small Ghanaian town at the edge of a large landfill site that spills into the ocean, the sons of a fisherman, Sowah and Okai, struggle to cope with loss of their eldest brother who drowned during a fishing expedition. Haunted by his demise, Okai believes their brother is still out there…

His father unknown and abandoned by his mother, Owusu’s only caregiver is his alleged half-aunt, Yaa. Their sacred bond is cut short upon her death giving birth to Adobea. The two are placed in a rundown orphanage and raised on the outskirts of Kumasi. Owusu cares for his sister, who is burdened with sickle cell disease. When an American couple comes to adopt her, Adobea and Owusu decide to break out of the orphanage in a last-ditch effort to find his long-lost mother in Accra. The journey is both wondrous and full of peril, hitchhiking across the country with the help of smugglers and colorful vagrants. Finally, let loose in one of Accra’s biggest markets, the pair are inadvertently rescued from the densely populated city by a bunch of street kids known as the Jackals. Their enigmatic leader, Ziggy, teaches Owusu and Adobea how to exist on the fringes of society and fight for something to call their own.

"Three connected generations of lost Ghanaian women fight to find meaning from both their lives and that of their young African nation, as they awaken in a strange ancestral land." (https://mubi.com/films/yaa)

"I Like It Here," follows a young man named Takyi, who struggles with his identity as a hybrid of two cultures. Born and raised African-American speaking only English, he also belongs to the richly diverse West African country - Ghana. Attempting to reconnect with his terminally ill Grandfather (who he's named after), he realizes how out of place he is in a society that should be his inheritance. In one life changing taxi ride, we get to the root of his cultural displacement and why he feels he needs to establish a bond with his homeland and his people.

Two orphans, Owusu and Adobea, brave the Ghanaian countryside, with one quest in mind: to find their last legitimate parent who would be able to bring back their identities.

Two orphans, Owusu and Adobea, brave the Ghanaian countryside, with one quest in mind: to find their last legitimate parent who would be able to bring back their identities.

A Ghanaian orphan’s life is turned upside down when he finds out his younger brother has been selected for adoption by an American family.

Set in a small Ghanaian town at the edge of a large landfill site that spills into the ocean, the sons of a fisherman, Sowah and Okai, struggle to cope with loss of their eldest brother who drowned during a fishing expedition. Haunted by his demise, Okai believes their brother is still out there…

Set in a small Ghanaian town at the edge of a large landfill site that spills into the ocean, the sons of a fisherman, Sowah and Okai, struggle to cope with loss of their eldest brother who drowned during a fishing expedition. Haunted by his demise, Okai believes their brother is still out there…

His father unknown and abandoned by his mother, Owusu’s only caregiver is his alleged half-aunt, Yaa. Their sacred bond is cut short upon her death giving birth to Adobea. The two are placed in a rundown orphanage and raised on the outskirts of Kumasi. Owusu cares for his sister, who is burdened with sickle cell disease. When an American couple comes to adopt her, Adobea and Owusu decide to break out of the orphanage in a last-ditch effort to find his long-lost mother in Accra. The journey is both wondrous and full of peril, hitchhiking across the country with the help of smugglers and colorful vagrants. Finally, let loose in one of Accra’s biggest markets, the pair are inadvertently rescued from the densely populated city by a bunch of street kids known as the Jackals. Their enigmatic leader, Ziggy, teaches Owusu and Adobea how to exist on the fringes of society and fight for something to call their own.

"Three connected generations of lost Ghanaian women fight to find meaning from both their lives and that of their young African nation, as they awaken in a strange ancestral land." (https://mubi.com/films/yaa)

"I Like It Here," follows a young man named Takyi, who struggles with his identity as a hybrid of two cultures. Born and raised African-American speaking only English, he also belongs to the richly diverse West African country - Ghana. Attempting to reconnect with his terminally ill Grandfather (who he's named after), he realizes how out of place he is in a society that should be his inheritance. In one life changing taxi ride, we get to the root of his cultural displacement and why he feels he needs to establish a bond with his homeland and his people.