Danièle Gégauff

Acting

Danièle Gégauff

Born 1939-07-03 · France

Danièle Gégauff (née Rosencranz, died 2007) was a French actress and line producer. She was married to the French actor and screenwriter Paul Gégauff. Danièle Gégauff worked with executive producer Stéphane Tchalgadjieff. Danièle Gégauff played Esther in Claude Chabrol's movie Une partie de plaisir. Her husband in the film was played by her real husband Paul.

Acting credits

No artwork available
5.8

Nicolas has an appointment with his sister Juliette. They are bound by a heavy secret of childhood: their mother committed suicide while their father had charged Nicolas to keep her. Since then, the father has chased him out and has forbidden Juliette to see Nicolas again.

Closet Children

1977

Merry-Go-Round poster
7.2

New Yorker Ben Phillips and mysterious Léo Hoffmann are strangers who are summoned to Paris by a mutual acquaintance. Upon arrival, they meet and soon find themselves tangled in a complex mystery.

Merry-Go-Round

1981

Noroît (Une Vengeance) poster
6.9

After her brother was killed by a notorious all-female pirate gang, Morag dedicates her life to bringing the murderers to justice. Soon, she has become an important member of the pirate gang and has begun acquiring the loyalty of key members. Eventually, she makes her move and challenges the leader, a demi-god, known as "The Daughter of the Sun."

Noroît (Une Vengeance)

1976

No artwork available
7.6

A dedicated clarinetist receives a valuable violin and has a difficult time deciding what to do with it.

The Musician Killer

1976

A Piece of Pleasure poster
5.8

Phillipe and Esther live an apparently idyllic life with their daughter, Elise. In an attempt to preserve this bliss, Phillipe decides that he and Esther should each have affairs, being sure to tell each other openly about them. The plan backfires with tragic results as Phillipe becomes engulfed in jealously.

A Piece of Pleasure

1975

Une femme au bout de la nuit poster
9.0

Her mother had advised her to marry to acquire respectability and material comfort, the obedient little girl married a successful Catholic writer a few years later, giving her two beautiful children, a spacious house, a few servants, and glittering social evenings. But in her thirties, Rose can no longer fall asleep at the side of her husband, who is imperturbably indifferent to her charms and neglects her, to develop, with more attentive ears, endless considerations on divine values in this world. So, in the evening, the young woman lets herself be drawn into pleasantly equivocal reveries. And if the day finds her repentant at the feet of her confessor, the night lurks again with its temptations and the virile torso of a handsome groom straight out of "Lady Chatterley's Lover", one of her clandestine reads.

Une femme au bout de la nuit

1980

Behind the camera