Martin Kukal

A nearly common shop with a nearly common corpulent saleswoman Karla lies at the end of the world, out of standing in time, beyond genres and universes.

A home inspector comes to check on a building that does not meet the proper guidelines.

The film is based on the classical painting by Vincent van Gogh. The painter wanders through the landscape of his paintings a watches scenes from rural life. In the end he gets invited to a country house where he sees the potato eaters. The suggestive film honours van Gogh’s handwriting but shifts it to black and white.

A nearly common shop with a nearly common corpulent saleswoman Karla lies at the end of the world, out of standing in time, beyond genres and universes.

A nearly common shop with a nearly common corpulent saleswoman Karla lies at the end of the world, out of standing in time, beyond genres and universes.

A home inspector comes to check on a building that does not meet the proper guidelines.

The film is based on the classical painting by Vincent van Gogh. The painter wanders through the landscape of his paintings a watches scenes from rural life. In the end he gets invited to a country house where he sees the potato eaters. The suggestive film honours van Gogh’s handwriting but shifts it to black and white.