Sébastien Simon

Shenanigans occur in an apartment shared by two Korean women as one of them brings home a man that she picked up in a club and two thieves invade the place. Meanwhile, a fan oscillates and observes.

An embittered old musician embarks upon a journey which becomes the outward manifestation of his inner landscape.

A stranger arrives in a town called Mipo: here, urban development is accelerating the gentrification of an old fishing village located on the edge of Haeundae Beach, in Busan city, South Korea.

Since 2005, Tetsu Kono, a middle-aged Japanese man, has come from Tokyo to South Korea to attend an average of twenty Korean film festivals annually, while revealing very little to others about himself and about his marginal existence in Japan.

Shenanigans occur in an apartment shared by two Korean women as one of them brings home a man that she picked up in a club and two thieves invade the place. Meanwhile, a fan oscillates and observes.

Shenanigans occur in an apartment shared by two Korean women as one of them brings home a man that she picked up in a club and two thieves invade the place. Meanwhile, a fan oscillates and observes.

An embittered old musician embarks upon a journey which becomes the outward manifestation of his inner landscape.

A stranger arrives in a town called Mipo: here, urban development is accelerating the gentrification of an old fishing village located on the edge of Haeundae Beach, in Busan city, South Korea.

Since 2005, Tetsu Kono, a middle-aged Japanese man, has come from Tokyo to South Korea to attend an average of twenty Korean film festivals annually, while revealing very little to others about himself and about his marginal existence in Japan.