Nikita Spiridonov

A television series about the "golden youth" and club life, where there is a lot of music, laughter, talented, beautiful and young actors, and, of course, the first - and therefore real - love! And also - dancing, sex, designer stuff, stylish cars ...

New movie by Nikita Spiridonov

“Meat Grinder 2” is an attempt, at one hand, to “listen” to the past – and to distance ourselves from the current moment on the other. The title is referred to the eponymous 1928 OBERIU’s film by Klimenti Mints and Aleksandr Razumovsky, which was proclaimed as an anti-war statement by the authors. “Meat Grinder 2” is constructed from the lines of people who witnessed an air raid. Each line reflects a certain auditory experience, and together they are built into a chronicle of one single day, the sequence of events of which is deconstructed in the film.

The “secret [mis]communication system 2” is a part of a diptych that emerged at the intersection of musical systems and military technology. “Secret Communication System” is a patent by composer George Antheil and Hollywood actress Hedy Lamarr, registration № US 2292387 This technology is based on the transmission of information by random radio frequencies with the principle of a mechanical piano. The musical composition “Signal” is an homage to “Signal System” series painted by Yuri Zlotnikov (based on the study of an impact of a painting on a person). Composer Fedor Vetkalov recorded “Signal” with Virtual ANS — a digital replica of the photoelectronic optical synthesizer ANS by military engineer Yevgeny Murzin.

No synopsis available yet.

The film is based on the drawings and graphic illustrations taken from the patent “Secret Communication System”, registered as US2292387. When work on radio-controlled torpedoes began in the early 1940s, it became clear that an enemy would have little trouble intercepting the frequency of a control signal. In 1942, to fix that problem, the film actress Hedy Lamarr and the composer George Antheil proposed changing the carrier frequency of transmitter and receiver by means of a perforated paper tape, of the kind used in a player piano. Lamarr and Antheil’s invention folded musical logic into the mechanics of war, fulfilling the modernist utopia’s hope that art and technological progress might pass into one another.

A television series about the "golden youth" and club life, where there is a lot of music, laughter, talented, beautiful and young actors, and, of course, the first - and therefore real - love! And also - dancing, sex, designer stuff, stylish cars ...

New movie by Nikita Spiridonov

New movie by Nikita Spiridonov

“Meat Grinder 2” is an attempt, at one hand, to “listen” to the past – and to distance ourselves from the current moment on the other. The title is referred to the eponymous 1928 OBERIU’s film by Klimenti Mints and Aleksandr Razumovsky, which was proclaimed as an anti-war statement by the authors. “Meat Grinder 2” is constructed from the lines of people who witnessed an air raid. Each line reflects a certain auditory experience, and together they are built into a chronicle of one single day, the sequence of events of which is deconstructed in the film.

“Meat Grinder 2” is an attempt, at one hand, to “listen” to the past – and to distance ourselves from the current moment on the other. The title is referred to the eponymous 1928 OBERIU’s film by Klimenti Mints and Aleksandr Razumovsky, which was proclaimed as an anti-war statement by the authors. “Meat Grinder 2” is constructed from the lines of people who witnessed an air raid. Each line reflects a certain auditory experience, and together they are built into a chronicle of one single day, the sequence of events of which is deconstructed in the film.

The “secret [mis]communication system 2” is a part of a diptych that emerged at the intersection of musical systems and military technology. “Secret Communication System” is a patent by composer George Antheil and Hollywood actress Hedy Lamarr, registration № US 2292387 This technology is based on the transmission of information by random radio frequencies with the principle of a mechanical piano. The musical composition “Signal” is an homage to “Signal System” series painted by Yuri Zlotnikov (based on the study of an impact of a painting on a person). Composer Fedor Vetkalov recorded “Signal” with Virtual ANS — a digital replica of the photoelectronic optical synthesizer ANS by military engineer Yevgeny Murzin.

The “secret [mis]communication system 2” is a part of a diptych that emerged at the intersection of musical systems and military technology. “Secret Communication System” is a patent by composer George Antheil and Hollywood actress Hedy Lamarr, registration № US 2292387 This technology is based on the transmission of information by random radio frequencies with the principle of a mechanical piano. The musical composition “Signal” is an homage to “Signal System” series painted by Yuri Zlotnikov (based on the study of an impact of a painting on a person). Composer Fedor Vetkalov recorded “Signal” with Virtual ANS — a digital replica of the photoelectronic optical synthesizer ANS by military engineer Yevgeny Murzin.

No synopsis available yet.

The film is based on the drawings and graphic illustrations taken from the patent “Secret Communication System”, registered as US2292387. When work on radio-controlled torpedoes began in the early 1940s, it became clear that an enemy would have little trouble intercepting the frequency of a control signal. In 1942, to fix that problem, the film actress Hedy Lamarr and the composer George Antheil proposed changing the carrier frequency of transmitter and receiver by means of a perforated paper tape, of the kind used in a player piano. Lamarr and Antheil’s invention folded musical logic into the mechanics of war, fulfilling the modernist utopia’s hope that art and technological progress might pass into one another.

The film is based on the drawings and graphic illustrations taken from the patent “Secret Communication System”, registered as US2292387. When work on radio-controlled torpedoes began in the early 1940s, it became clear that an enemy would have little trouble intercepting the frequency of a control signal. In 1942, to fix that problem, the film actress Hedy Lamarr and the composer George Antheil proposed changing the carrier frequency of transmitter and receiver by means of a perforated paper tape, of the kind used in a player piano. Lamarr and Antheil’s invention folded musical logic into the mechanics of war, fulfilling the modernist utopia’s hope that art and technological progress might pass into one another.