Christian Renaud

A young man, the soldier and bachelor type, is looking for Anima - the eternal unattainable female who alternately appears as a virgin, harlot, mother, saint but also as a witch. In his illusions and visions made up of images which are multi-layered and ambiguous, Anima changes from a romantic ideal to a technically two dimensional duplicate which can be reproduced and is half woman, half sewing machine.

"The State of happiness... permanent" presents itself as an extremely composed cine-photo-novel, based on the life of the filmmaker. It is, very exactly, images and sounds extracted from his personal story (curiously mixed with History itself). Not a plan that is not a piece of flesh, a piece of memory, a piece of life. Not a plan that does not fit into the raw experience of Maria Koleva. From this film, I want to highlight two very beautiful sequences: the one where she writes an essay with her cameraman on the back of a man sleeping in his bed, the one where she wonders, based on a photo where we see her as a little girl with her family during some party (in which his father seems to have played an important role), on the hat worn that day by his mother.

"The State of happiness... permanent" presents itself as an extremely composed cine-photo-novel, based on the life of the filmmaker. It is, very exactly, images and sounds extracted from his personal story (curiously mixed with History itself). Not a plan that is not a piece of flesh, a piece of memory, a piece of life. Not a plan that does not fit into the raw experience of Maria Koleva. From this film, I want to highlight two very beautiful sequences: the one where she writes an essay with her cameraman on the back of a man sleeping in his bed, the one where she wonders, based on a photo where we see her as a little girl with her family during some party (in which his father seems to have played an important role), on the hat worn that day by his mother.