Véronique Bernard

Reporter Judith Wilkes leaves her husband and two sons in Sydney and goes to Malaysia to cover the story of the Vietnamese boat people. She becomes romantically involved with Kanan, and strikes up a friendship with Lady Minou Hobday, who keeps a regular vigil at "Turtle Beach" where the refugees try to secretly land, in the hope that one day her own children will arrive. Accompanying Minou one night, Judith witnesses a brutal massacre by the Malaysians, which spurs her on to expose the horrors of the internment camps at Bidong.

Two women fight to hold the manufacturers accountable for the Agent Orange catastrophe. Incriminating documents disappear. Activists are threatened. A helicopter technician secretly films the contamination exposing a massive cover-up.

Moshood Abiola wins Nigeria's freest election, only for the military to jail him. When U.S. diplomats arrive to negotiate his release, he is served tea, and dies.

Tanya DePass, a lifelong Chicagoan and African-American gamer, is determined to make the gaming industry more inclusive for everyone, including people like her.

When filmmaker Yehui Zhao begins to film her grandmother, she embarks on an excavation of her family’s past and their long-lost ancestral village in the vast mountain range of Loess Plateau. She sets out to search for the story of her great-grandfather and, in the process, discovers the land that generations before her cultivated alongside the cave dwellings that they called home. Here she pays tribute to her family’s heritage, bearing witness to its relationship with the land, labor, and resilience. A shapeshifting and playful feature debut, the film is infused with performance, poetry, and animation as Zhao constructs a living archive of oral history and community theater. Summoning the past into the present, May the Soil Be Everywhere chronicles China’s history of war, famine, and rapid urbanization through the lens of four generations in one family.