Anthony Banua-Simon

Cane Fire examines the past and present of the Hawaiian island of Kauai, interweaving four generations of family history, numerous Hollywood productions, and troves of found footage to create a kaleidoscopic portrait of the economic and cultural forces that have cast Indigenous and working-class residents as "extras" in their own story.

In 1940, on the dry westside of Kauaʻi, the Kekaha Sugar Company began a six-month mail-order film subscription with World Enterprises, an Oʻahu-based distributor—screening films for workers on their Sundays off from harvesting and processing sugarcane. Varied in style, the films shared a common theme: American power taming lands and peoples of the “frontier” through extraction, an encroachment justified by declared ideals of progress. WORLD ENTERPRISES is a collage of radical possibilities sourced entirely from the original 1940 film program. Recontextualized by Banua-Simon, the short compilation enters a dreamlike conversation with both the material realities of the moment of its creation and the present day, culminating in an explicit “cut-up poem” provocation that reflects on community amid political defeat while pointing toward a revolutionary movement just beneath the surface.

Once producing half of the nation's sugar, the Domino Sugar Refinery was an icon of the industrial work available in South Williamsburg. Within the year part of the building will be demolished for new housing and the rest renovated for commercial use. Two former workers who live only blocks away return to their days at Domino and visit the now derelict space that was part of their lives for 30 years.

A satirical archive-based portrait spanning 30 years that follows the rise of Christian cinema’s most visible presence, David A.R. White, and how he came to found the largest Christian production company, Pure Flix. Made up entirely of over 50 interviews, movies, and TV shows, Pure Flix and Chill is a critical analysis of a failed culture war and its prophet.

Moore seeks out a vulnerable stranger and proceeds to convince them he's Jesus. "Seduced by Jesus" functions as a pick-up artist parody, fueled by the creepy conceit of the original.

Two bears are hungry in NYC. Hungry for salmon. Follow Big Bear and Little Bear's respective expeditions through the city in search of a scrumptious meal. From lavish fine dining to lively food carts – through the simple act of eating – the relationship between bears and salmon enables the health of the entire ecosystem.

Cane Fire examines the past and present of the Hawaiian island of Kauai, interweaving four generations of family history, numerous Hollywood productions, and troves of found footage to create a kaleidoscopic portrait of the economic and cultural forces that have cast Indigenous and working-class residents as "extras" in their own story.

Cane Fire examines the past and present of the Hawaiian island of Kauai, interweaving four generations of family history, numerous Hollywood productions, and troves of found footage to create a kaleidoscopic portrait of the economic and cultural forces that have cast Indigenous and working-class residents as "extras" in their own story.

In 1940, on the dry westside of Kauaʻi, the Kekaha Sugar Company began a six-month mail-order film subscription with World Enterprises, an Oʻahu-based distributor—screening films for workers on their Sundays off from harvesting and processing sugarcane. Varied in style, the films shared a common theme: American power taming lands and peoples of the “frontier” through extraction, an encroachment justified by declared ideals of progress. WORLD ENTERPRISES is a collage of radical possibilities sourced entirely from the original 1940 film program. Recontextualized by Banua-Simon, the short compilation enters a dreamlike conversation with both the material realities of the moment of its creation and the present day, culminating in an explicit “cut-up poem” provocation that reflects on community amid political defeat while pointing toward a revolutionary movement just beneath the surface.

Once producing half of the nation's sugar, the Domino Sugar Refinery was an icon of the industrial work available in South Williamsburg. Within the year part of the building will be demolished for new housing and the rest renovated for commercial use. Two former workers who live only blocks away return to their days at Domino and visit the now derelict space that was part of their lives for 30 years.

Once producing half of the nation's sugar, the Domino Sugar Refinery was an icon of the industrial work available in South Williamsburg. Within the year part of the building will be demolished for new housing and the rest renovated for commercial use. Two former workers who live only blocks away return to their days at Domino and visit the now derelict space that was part of their lives for 30 years.

A satirical archive-based portrait spanning 30 years that follows the rise of Christian cinema’s most visible presence, David A.R. White, and how he came to found the largest Christian production company, Pure Flix. Made up entirely of over 50 interviews, movies, and TV shows, Pure Flix and Chill is a critical analysis of a failed culture war and its prophet.

Moore seeks out a vulnerable stranger and proceeds to convince them he's Jesus. "Seduced by Jesus" functions as a pick-up artist parody, fueled by the creepy conceit of the original.

Two bears are hungry in NYC. Hungry for salmon. Follow Big Bear and Little Bear's respective expeditions through the city in search of a scrumptious meal. From lavish fine dining to lively food carts – through the simple act of eating – the relationship between bears and salmon enables the health of the entire ecosystem.