David Gómez Alzate

She is a beautiful girl who lives life to the full, He is a man in his forties, they feel an unhealthy attraction for each other. The fact that they can not handle their emotions will lead to a tragic ending, as climatic change increasingly deteriorates the planet.

In 1967 the anthropologist G. Reichel-Dolmatoff published a study on a Colombian aboriginal culture, although the tribe in question was not visited and the only informant interviewed was very far from its cultural environment and tribal territory. In addition, he discovered a relationship between hallucinations and the phosphene formula. From FICCI

What has happened to Konrad Theodor Preuss's collection? Perhaps his collection is nothing more than an accumulation of dead and distant objects, a collection of traditions and popular rumours. No wonder it is called a crime scene. Any collection of materials alters the meaning of things, from relics to scraps and vice versa.Their accumulation carries with it a certain violence that consists of turning objects into archaeological objects. Thus creating sedimentary layers, linear successions, detachments, and a rupture between the versions of the past and those of the present. Archival film, found and recreated, filled with plastic gestures and encounters. Collecting Materials is a palimpsest of times and documents, a freehand ethnography, an inventory of natural wonders.

She is a beautiful girl who lives life to the full, He is a man in his forties, they feel an unhealthy attraction for each other. The fact that they can not handle their emotions will lead to a tragic ending, as climatic change increasingly deteriorates the planet.

In 1967 the anthropologist G. Reichel-Dolmatoff published a study on a Colombian aboriginal culture, although the tribe in question was not visited and the only informant interviewed was very far from its cultural environment and tribal territory. In addition, he discovered a relationship between hallucinations and the phosphene formula. From FICCI

What has happened to Konrad Theodor Preuss's collection? Perhaps his collection is nothing more than an accumulation of dead and distant objects, a collection of traditions and popular rumours. No wonder it is called a crime scene. Any collection of materials alters the meaning of things, from relics to scraps and vice versa.Their accumulation carries with it a certain violence that consists of turning objects into archaeological objects. Thus creating sedimentary layers, linear successions, detachments, and a rupture between the versions of the past and those of the present. Archival film, found and recreated, filled with plastic gestures and encounters. Collecting Materials is a palimpsest of times and documents, a freehand ethnography, an inventory of natural wonders.