Directing
Kevin Osepa
Place of birth
Willemstad, Curaçao, Netherlands Antilles
Known for
Directing
Credits
6 titles
Known for
NRWatamula is the destination of René, who rises from a river to continue his journey across the island, stumbling. He encounters sharp thorns and sweet rose petals, rejection and comfort, and clings to his amulet.
Watamula
2020
NRFisherman Rowin hardly catches enough fish to make ends meet. But when he meets a mysterious man at his regular fishing spot, his life seems to take a radical turn.
La Ultima Ascensión
2022
NRNo synopsis available yet.
Lusgarda
2025
NRDirected by Kevin Osepa, this 25-minute film from the National Dutch Ballet grapples with the irony of being on hold and restricted, and yet unexpectedly finding space to think bigger than before. Thirteen dancers move through six key scenes throughout the opera house, creating striking shapes and group architecture. In one, Black poet Roziena Salihu, surrounded by white dancers, speaks powerfully about the experience of being marginalized, and how she’ll no longer accept it.
I Feel It Too
2021
Behind the camera
NRWatamula is the destination of René, who rises from a river to continue his journey across the island, stumbling. He encounters sharp thorns and sweet rose petals, rejection and comfort, and clings to his amulet.
Watamula
2020
NRWatamula is the destination of René, who rises from a river to continue his journey across the island, stumbling. He encounters sharp thorns and sweet rose petals, rejection and comfort, and clings to his amulet.
Watamula
2020
NRFisherman Rowin hardly catches enough fish to make ends meet. But when he meets a mysterious man at his regular fishing spot, his life seems to take a radical turn.
La Ultima Ascensión
2022
NRFisherman Rowin hardly catches enough fish to make ends meet. But when he meets a mysterious man at his regular fishing spot, his life seems to take a radical turn.
La Ultima Ascensión
2022
NRNo synopsis available yet.
Lusgarda
2025
NRDirected by Kevin Osepa, this 25-minute film from the National Dutch Ballet grapples with the irony of being on hold and restricted, and yet unexpectedly finding space to think bigger than before. Thirteen dancers move through six key scenes throughout the opera house, creating striking shapes and group architecture. In one, Black poet Roziena Salihu, surrounded by white dancers, speaks powerfully about the experience of being marginalized, and how she’ll no longer accept it.
I Feel It Too
2021
