Dabin

Illustrator Jae-in works until dawn when she senses a strange energy beyond the window. She starts her day thinking nothing of it, but from the moment she discovers mould on the wall of her house, her day begins to gradually darken.

Dabin, a 27-year-old woman studying films, began calling herself a feminist three years ago. She goes out without makeup, checks hidden cameras when using public restrooms, thinks of domestic violence at the cries of a woman next door, participates in street rallies, and gets hurt by her family’s reaction to the feminist movement. When a Hen Crows is a private essay film exploring the gender identity of a woman in her twenties in Korea using the narration of the director’s diary, referring to herself as a third-person ‘woman.’ Scenes of a family moving show a sense of the home video. Rather than making a clear voice toward the world, the self-reflection and sincere gaze look into the subtle movements of internal emotions.

Illustrator Jae-in works until dawn when she senses a strange energy beyond the window. She starts her day thinking nothing of it, but from the moment she discovers mould on the wall of her house, her day begins to gradually darken.

Dabin, a 27-year-old woman studying films, began calling herself a feminist three years ago. She goes out without makeup, checks hidden cameras when using public restrooms, thinks of domestic violence at the cries of a woman next door, participates in street rallies, and gets hurt by her family’s reaction to the feminist movement. When a Hen Crows is a private essay film exploring the gender identity of a woman in her twenties in Korea using the narration of the director’s diary, referring to herself as a third-person ‘woman.’ Scenes of a family moving show a sense of the home video. Rather than making a clear voice toward the world, the self-reflection and sincere gaze look into the subtle movements of internal emotions.

Dabin, a 27-year-old woman studying films, began calling herself a feminist three years ago. She goes out without makeup, checks hidden cameras when using public restrooms, thinks of domestic violence at the cries of a woman next door, participates in street rallies, and gets hurt by her family’s reaction to the feminist movement. When a Hen Crows is a private essay film exploring the gender identity of a woman in her twenties in Korea using the narration of the director’s diary, referring to herself as a third-person ‘woman.’ Scenes of a family moving show a sense of the home video. Rather than making a clear voice toward the world, the self-reflection and sincere gaze look into the subtle movements of internal emotions.