Sebastião Varela

A large, time-worn house sits on a towering, untouchable pedestal. Ressaca Bailada – Filme Concerto follows individuals as they navigate their relationship with freedom, unity, and isolation within this setting. Celebrating tradition while confronting and questioning it, all against a backdrop of music that shapes the journey.

It’s a story with many layers. It’s about the painter João Ayres (1921-2001), an artist in transit between Portugal and Africa who became forgotten in the narrative of Modern Art. It’s also a story about his family, who inherited a significant body of work. One of his grandchildren, Diogo Camilo Alves, the narrator, wants to make his grandfather’s art more accessible and has been fighting for its conservation and restoration. It’s also a story about the house that the painter built, where many of his works still reside and where his memory is very much alive.

A study about memory, an example of obsession or a prison in itself. Rodrigo chooses to submerge himself in a memory, regardless of what got him there or what might happen. Within this dream Rodrigo is happy. When confronted by the memory itself we are left with a question, is this a cry of victory, or the acclamation of defeat?

Within the beating heart of Alfama and Mouraria, the hoods meet to tell their story. In a blend of authenticity, roots, traditional music and cause and effect philosophy, they lay it all bare

Zé Pedro, the legendary guitar player of Xutos e Pontapés, is the greatest name in Portuguese rock ‘n’ roll. He was its main driving force, not only as the founding guitar player of the greatest Portuguese band ever, but also by promoting the genre as a music critic, radio broadcaster and owner of Johnny Guitar, a mythic club and concert hall in Lisbon where so many bands took their first steps.

A large, time-worn house sits on a towering, untouchable pedestal. Ressaca Bailada – Filme Concerto follows individuals as they navigate their relationship with freedom, unity, and isolation within this setting. Celebrating tradition while confronting and questioning it, all against a backdrop of music that shapes the journey.

A large, time-worn house sits on a towering, untouchable pedestal. Ressaca Bailada – Filme Concerto follows individuals as they navigate their relationship with freedom, unity, and isolation within this setting. Celebrating tradition while confronting and questioning it, all against a backdrop of music that shapes the journey.

A large, time-worn house sits on a towering, untouchable pedestal. Ressaca Bailada – Filme Concerto follows individuals as they navigate their relationship with freedom, unity, and isolation within this setting. Celebrating tradition while confronting and questioning it, all against a backdrop of music that shapes the journey.

It’s a story with many layers. It’s about the painter João Ayres (1921-2001), an artist in transit between Portugal and Africa who became forgotten in the narrative of Modern Art. It’s also a story about his family, who inherited a significant body of work. One of his grandchildren, Diogo Camilo Alves, the narrator, wants to make his grandfather’s art more accessible and has been fighting for its conservation and restoration. It’s also a story about the house that the painter built, where many of his works still reside and where his memory is very much alive.