Natalia Nogueira

Organism is, among other things, the story of a young woman and her pet, a small dog named Italia. It's also a new piece added to the extended work of Iván Fund, where the documentary record blurs with fiction in order to create (or describe) small intimate universes where the director's relationship with his characters result in an area where emotions and sensibility rule using small everyday events that push the story forward.

March 1976: Buenos Aires is invaded by a group of zombies. The plague spreads, shrouding the city in terror and desolation. It reaches its peak in the 1990s.

Insistence on images try planting a sign, like a groove in the retinas to recover what could be a memory, an echo of that other time when the parties were possibly a whole. The eternal myth of the androgyne.

Organism is, among other things, the story of a young woman and her pet, a small dog named Italia. It's also a new piece added to the extended work of Iván Fund, where the documentary record blurs with fiction in order to create (or describe) small intimate universes where the director's relationship with his characters result in an area where emotions and sensibility rule using small everyday events that push the story forward.

March 1976: Buenos Aires is invaded by a group of zombies. The plague spreads, shrouding the city in terror and desolation. It reaches its peak in the 1990s.

Insistence on images try planting a sign, like a groove in the retinas to recover what could be a memory, an echo of that other time when the parties were possibly a whole. The eternal myth of the androgyne.