Paulinho Sacramento

Through clippings, the film draws a narrative line between the construction of racism in Brazil and the United States, having as base the European invasion of the continent, police violence, the genocide of the black people, the massacre of indigenous peoples, religious violence, the criminalization of funk music, structural racism in art and education, the importance of quota policy and the need urgent historical repair as a commitment by the Brazilian state to the black people.

Maurino (Marcelo Mac) suffers from auditory hallucinations and thinks he is a vampire, even though he is terrified of blood. After a conversation with Doctor Edvar (Babu Santana), Maurino suffers another psychotic crisis and decides to walk the streets of Lapa with his favorite machete, talking to the voices that keep echoing inside his head. Your biggest concern is thinking you're listening to people's thoughts.

Through clippings, the film draws a narrative line between the construction of racism in Brazil and the United States, having as base the European invasion of the continent, police violence, the genocide of the black people, the massacre of indigenous peoples, religious violence, the criminalization of funk music, structural racism in art and education, the importance of quota policy and the need urgent historical repair as a commitment by the Brazilian state to the black people.

Through clippings, the film draws a narrative line between the construction of racism in Brazil and the United States, having as base the European invasion of the continent, police violence, the genocide of the black people, the massacre of indigenous peoples, religious violence, the criminalization of funk music, structural racism in art and education, the importance of quota policy and the need urgent historical repair as a commitment by the Brazilian state to the black people.

Through clippings, the film draws a narrative line between the construction of racism in Brazil and the United States, having as base the European invasion of the continent, police violence, the genocide of the black people, the massacre of indigenous peoples, religious violence, the criminalization of funk music, structural racism in art and education, the importance of quota policy and the need urgent historical repair as a commitment by the Brazilian state to the black people.

Maurino (Marcelo Mac) suffers from auditory hallucinations and thinks he is a vampire, even though he is terrified of blood. After a conversation with Doctor Edvar (Babu Santana), Maurino suffers another psychotic crisis and decides to walk the streets of Lapa with his favorite machete, talking to the voices that keep echoing inside his head. Your biggest concern is thinking you're listening to people's thoughts.