Uddish Pasupathy

The film explores the syncretic notions, ‘construction’ and ‘intuition’.

In the State of 'Land Knownable', 'The Building' AKA 'The Center' is the only existing structure. Gaze, a (non)entity recruited by 'The Building', shadows and observes two (human)beings named Regine Olsen and Man Ray. Gaze creates moving image reports to assess their cerebral resistance to spectatorship.

The film explores the spatial dimensions of a being who alternately enters and exits a fragmented world of projections where thoughts, memories and dreams blend into a strange loop of treacherous images. The film explores multiple layers of in-ness such as inclusion, depiction and representation.