D.S. Chun

An elliptical, layered psychological horror that brings together multiple storylines which intersect in complex ways. Embedded within these narrative threads are topics salient to the documentary/non-fiction field: the afterlives of images of war and their fictional representation; the potential tokenization of subjects, stories, and makers by the industry; and the ethical dilemmas arising from the commercialization of the stock footage market.

Once upon a time, you were born. In the Philippines, there was no science education when you were a child. When they began to offer it in your adulthood, you leapt at the chance and studied harder than everyone else. You learned of kingdoms and species and genes and atoms. Science helped you to see the bigger world beyond. You studied so well, an American university paid you to keep studying with them, so you left. You gained mastery over the evolution of birds there, but you missed home the whole time. You lost your first wife and son to Science. So with degree in hand, you went back to your people. You found that they had burned their forests, and had exploded their seas. So you gave a new bird to your people; because, now you knew how to use it to save them. This was the piding. And the rest is the story of Oliver Carlos.