Enrico Salvatori

The movie tells the story of Alfredo Cohen, a man who left a trace by bending the forms of expression that he associated with, by shading the borders between sexes and sexualities, between italian and dialect, between high and popular theatre, between life and art. The existential path of a figure that’ s central for political and creative significance is what can fertilize our present and make it reverberate with voices that can make us rediscover the importance of imagination.

No synopsis available yet.

The sixth episode of “Dai Nostri Inviati” chronicles the Venice Film Festival during the early 21st century—from 2001 to 2012—through reports gathered by Rai correspondents: the final year of Alberto Barbera’s first tenure, the two-year term of the late Moritz de Hadeln, the eight years under Marco Müller’s direction, and the first year of Barbera’s second term.

The documentary recounts an important part of the history of this country, retracing a long journey that began on October 6, 1924, and continues to this day. On that day, radio took its first tentative steps into our homes, broadcasting a brief official announcement followed by the inaugural concert of Haydn's Quartet Op. 7. At that precise moment, we imagined that a child was born in a working-class neighborhood of the capital, whose voice would accompany us throughout this journey.

The movie tells the story of Alfredo Cohen, a man who left a trace by bending the forms of expression that he associated with, by shading the borders between sexes and sexualities, between italian and dialect, between high and popular theatre, between life and art. The existential path of a figure that’ s central for political and creative significance is what can fertilize our present and make it reverberate with voices that can make us rediscover the importance of imagination.

No synopsis available yet.

The sixth episode of “Dai Nostri Inviati” chronicles the Venice Film Festival during the early 21st century—from 2001 to 2012—through reports gathered by Rai correspondents: the final year of Alberto Barbera’s first tenure, the two-year term of the late Moritz de Hadeln, the eight years under Marco Müller’s direction, and the first year of Barbera’s second term.

The documentary recounts an important part of the history of this country, retracing a long journey that began on October 6, 1924, and continues to this day. On that day, radio took its first tentative steps into our homes, broadcasting a brief official announcement followed by the inaugural concert of Haydn's Quartet Op. 7. At that precise moment, we imagined that a child was born in a working-class neighborhood of the capital, whose voice would accompany us throughout this journey.