Eric Nguyen

In colonial Vietnam, dashing French naval captain Jean-Baptiste, wealthy plantation owner Éliane Devries, and her adopted Vietnamese daughter Camillevare form the three points of a cross-cultural romantic triangle. As the struggle against European imperialism sweeps Indochina, Jean-Baptiste and Camille have to choose sides and Éliane faces the emotionally difficult challenge of raising the child of her daughter and ex-lover.

A second-class horror movie has to be shown at Cannes Film Festival, but, before each screening, the projectionist is killed by a mysterious fellow, with hammer and sickle, just as it happens in the film to be shown.

To find Joseba, a dying friend, and see him reunite with his daughter Ely, two old friends, Jean Pierre and Tocho, embark with her on a road trip through the Sahara desert, from Spain to Mali.

After losing her daughter in an accident, Carmen loses all incentive to keep going, until she receives an unexpected letter from the adoption agency: her daughter was finally granted the Vietnamese girl she had asked for adoption and whose name is Thi Mai.

Elections are approaching and things don't look too good for the opposition. Their leader can't stand the pressure and disappears. To avoid a scandal, the upper echelons of the party concoct a risky plan: to replace him with his identical twin, a philosopher with BPD, whose eclectic ideas and direct approach unexpectedly make the party surge in the polls.

She was fleeing the West, and he the East. She was European, light-skinned, on her way back from Java, at the edge of the world. Once North-Vietnamese, now a proud Frenchman, he had an apartment in the center of Paris. This film tells the story of their embrace, 20 nights under the Parisian sky, in the shadow of Notre Dame. During these 20 nights they find refuge in each other's bodies.

Based on a true story, after the US withdrawal and the fall of South Vietnam to the communist forces in 1975, many people are sent to reeducation camps. Several desperate boys in one of the camps begin planing their escape.

A telefilm that describes the meeting between Cambodian restaurateur Bopha ("flower"), a survivor of the genocide of the Khmer Rouge, and a Vietnamese man named Mihn, a "boat people" refugee who drives a taxi at night and works as a deliveryman during the day for his uncle's grocery store.