Gadirhuseyn Ismailov

Asiman and Isabala, who were involved in petty fraud and theft in their past, have now turned to the right path and have been working together as morticians for 3 years. However, life puts them through another big test and puts them before an important choice - a new fraud or the right path they have chosen.

Oruj Zeynalov is a psychiatrist. He has a secure life, a son studying in Moscow, his wife Pakiza who loves him more than life, his mistress, nurse Ophelia, friends, and a charming garden. His life passes peacefully against the background of what we have listed, but until a certain time, or rather until the appearance of Balami, who wants to name the garden after himself...

The film begins with the theft of a 15th-century carpet worth two million manats, owned by a wealthy businessman. Eliş and Roşka accidentally find the carpet, which drives the plot forward. Meanwhile, the struggle between a construction company wanting to demolish the neighborhood and residents trying to protect it reflects real-life issues.

After the story of same name of Ilyas Afandiyev. The film is about two young people's love.

No synopsis available yet.

There are issues of spirituality, morality, love and loyalty in the center of the dramatic story that took place in one of the villages around Baku.

Teymur and Khyrdakhanim are a married couple. They watch a televised wedding program at home every evening. And one day Teymur tells Khyrdakhanim, let's get married again. You go to that show and pretend you're homeless and let them take pity on you and give you a dowry and money, and I'll call you and propose to you. Khyrdakhanim goes to the show and the call comes. During the show, Khyrdakhanim recognizes the caller, Teymur says yes, and all the adventures begin from there.

Tells the story of the life and multifaceted heritage of Mirza Fatali Akhundzadeh , the founder of Azerbaijani drama, a great public figure, who left an indelible mark on the history of Azerbaijani and Middle Eastern literature . The film depicts three periods of the playwright's life - childhood, youth and old age.