
Directing
Tata Amaral
Born
1960-09-19 (66)
Place of birth
São Paulo, São Paulo, Brazil
Known for
Directing
Credits
27 titles
Márcia Lellis de Souza Amaral, known as Tata Amaral (São Paulo, September 19, 1960), is a Brazilian filmmaker.
Known for
8.0It's Friday night. Pedro and Anastácia are at home, like millions of other couples in São Paulo. Locked away in the living room of their apartment, Pedro and Anastácia's relationship finds an opportunity to reveal its degree of wear and tear. História Familiar portrays the banality of everyday life and contemporary emotional malaise.
História Familiar
1988
No synopsis available yet.
Poema: Cidade
1986
5.0In 1965, a year after the military coup in Brazil, an oasis of freedom opened in the country's capital. The Brasília Film Festival: a landmark of cultural and political resistance. Its story is that of Brazilian cinema itself.
Candango: Memoirs from a Festival
2020
NROn the day of her mother's wake, filmmaker Tata Amaral's uncle tells her a surprising story: in his youth, her father, Joaquim, had been a wealthy man but ran into an unexplained problem and was forced to flee to Mato Grosso. The filmmaker sets out to explore this past—spanning the 1940s and 1950s—and uncovers a family secret. Beyond the technical revelations of the criminal case, there is a journey of emotional self-discovery that begins at her mother's wake and concludes at her father's grave. Through her camera, she seeks to clear Joaquim's name.
O Rei do Carimã
2009
6.2Telmo is a retired theater director that realizes he doesn't remember the time he spent kept in jail during the military dictatorship in Brazil. He decides to stage a play and, with threads of memory, he improvises the lines with his young cast. Telmo dives into his own history and ends up revealing for himself what, being so painful, he'd rather forget.
Bring It Inside
2016
5.5Sao Paulo, Brazil. Isabel, a 25-year-old girl, is kidnapped. The first ATM the criminals try to withdraw money from is broken. It's almost 10:00pm. The kidnappers realize they will not be able to get to the next one on time. What was meant to be an express kidnapping becomes an all-night imprisonment.
Express Kidnapping
2018
Film credits
2020s · 3 titles
5.0In 1965, a year after the military coup in Brazil, an oasis of freedom opened in the country's capital. The Brasília Film Festival: a landmark of cultural and political resistance. Its story is that of Brazilian cinema itself.
Candango: Memoirs from a Festival
2020
NRNo synopsis available yet.
Ensaiar é Preciso...
2025
NRAn old man is tired of celebrating his birthday.
Message from Sergipe
2025
Behind the camera
8.0It's Friday night. Pedro and Anastácia are at home, like millions of other couples in São Paulo. Locked away in the living room of their apartment, Pedro and Anastácia's relationship finds an opportunity to reveal its degree of wear and tear. História Familiar portrays the banality of everyday life and contemporary emotional malaise.
História Familiar
1988
No synopsis available yet.
Poema: Cidade
1986
NROn the day of her mother's wake, filmmaker Tata Amaral's uncle tells her a surprising story: in his youth, her father, Joaquim, had been a wealthy man but ran into an unexplained problem and was forced to flee to Mato Grosso. The filmmaker sets out to explore this past—spanning the 1940s and 1950s—and uncovers a family secret. Beyond the technical revelations of the criminal case, there is a journey of emotional self-discovery that begins at her mother's wake and concludes at her father's grave. Through her camera, she seeks to clear Joaquim's name.
O Rei do Carimã
2009
6.2Telmo is a retired theater director that realizes he doesn't remember the time he spent kept in jail during the military dictatorship in Brazil. He decides to stage a play and, with threads of memory, he improvises the lines with his young cast. Telmo dives into his own history and ends up revealing for himself what, being so painful, he'd rather forget.
Bring It Inside
2016
6.2Telmo is a retired theater director that realizes he doesn't remember the time he spent kept in jail during the military dictatorship in Brazil. He decides to stage a play and, with threads of memory, he improvises the lines with his young cast. Telmo dives into his own history and ends up revealing for himself what, being so painful, he'd rather forget.
Bring It Inside
2016
5.5Sao Paulo, Brazil. Isabel, a 25-year-old girl, is kidnapped. The first ATM the criminals try to withdraw money from is broken. It's almost 10:00pm. The kidnappers realize they will not be able to get to the next one on time. What was meant to be an express kidnapping becomes an all-night imprisonment.
Express Kidnapping
2018
5.5Sao Paulo, Brazil. Isabel, a 25-year-old girl, is kidnapped. The first ATM the criminals try to withdraw money from is broken. It's almost 10:00pm. The kidnappers realize they will not be able to get to the next one on time. What was meant to be an express kidnapping becomes an all-night imprisonment.
Express Kidnapping
2018
5.5Former political activist receives compensation from the Brazilian government for the disappearance of her husband, victim of the repression triggered by the Brazilian military dictatorship. With the money, she can buy her an apartment and free herself from this dreadful condition she lived for decades. At the moment of moving to the new home, however, a visit arises that forces her to review her entire life.
Hoje
2013
5.5Former political activist receives compensation from the Brazilian government for the disappearance of her husband, victim of the repression triggered by the Brazilian military dictatorship. With the money, she can buy her an apartment and free herself from this dreadful condition she lived for decades. At the moment of moving to the new home, however, a visit arises that forces her to review her entire life.
Hoje
2013
7.0Selma, a retired nurse, is an extremely loving mother for his son Raimundo, in an almost incestuous relationship. One day, she becomes aware of some changes in her son's behavior. At first, she thinks it may be some girlfriend. But soon she learns it's something else.
Através da Janela
2000
7.0Selma, a retired nurse, is an extremely loving mother for his son Raimundo, in an almost incestuous relationship. One day, she becomes aware of some changes in her son's behavior. At first, she thinks it may be some girlfriend. But soon she learns it's something else.
Através da Janela
2000
4.8The daily routine of a streetwise office boy, waiting in long lines, having to deal with some fishy situations, listening to music, and meeting people.
Viver a Vida
1991
4.8The daily routine of a streetwise office boy, waiting in long lines, having to deal with some fishy situations, listening to music, and meeting people.
Viver a Vida
1991
5.1A woman ready to move away from Brazil is kidnapped by her jealous ex-lover.
A Starry Sky
1996
5.1A woman ready to move away from Brazil is kidnapped by her jealous ex-lover.
A Starry Sky
1996
5.5Determined to escape their poverty-stricken lives, four talented young women living on the outskirts of Sao Paulo, Brazil, form an all-female rap group but find their road to success is riddled with sexism, racism, and violence. One by one, they succumb to their grim realities...until they discover that out of struggle comes strength, and out of strength, the courage to continue on.
Antônia
2007
5.5Determined to escape their poverty-stricken lives, four talented young women living on the outskirts of Sao Paulo, Brazil, form an all-female rap group but find their road to success is riddled with sexism, racism, and violence. One by one, they succumb to their grim realities...until they discover that out of struggle comes strength, and out of strength, the courage to continue on.
Antônia
2007
5.5Determined to escape their poverty-stricken lives, four talented young women living on the outskirts of Sao Paulo, Brazil, form an all-female rap group but find their road to success is riddled with sexism, racism, and violence. One by one, they succumb to their grim realities...until they discover that out of struggle comes strength, and out of strength, the courage to continue on.
Antônia
2007
A radio station broadcasts a program while an audiovisual game is shown on video.
Mude Seu Dial: Um Rádio-Clip com as Ondas do Ar
1986
A radio station broadcasts a program while an audiovisual game is shown on video.
Mude Seu Dial: Um Rádio-Clip com as Ondas do Ar
1986
NRThis program from the Brazilian Historical Panorama series proposes a reflection on the 60s in Brazil based on its audiovisual memory. With excerpts from texts and opinions by Augusto Boal, Lygia Clark and Torquato Neto, among others, scenes from movies and newspaper headlines, the documentary allows the 1960s to speak for itself.
About the 60's
2000
NRJacob, Mairun and João are 6 years old and are making their carnival costumes for the school party. Ana does not participate in the activity because she believes that carnival is a sin. This situation causes surprise among her little friends who start a conversation about their different religious backgrounds.
Carnaval dos Deuses
2010

